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Jacqueline Kent, who was married to Ken Cook, casts an eye over his career as a writer and, particularly, the writing and film adaptation of Wake in Fright.
Publication Details of Only Known VersionEarliest 2 Known Versions of
‘A Heart That Could be Strong and True’ : Kenneth Cook’s Wake in Fright as Queer InteriorMonique Rooney,
2011single work criticism — Appears in:
JASAL,Special Issuevol.
11no.
12011;(p. 1-15)'In ' "A heart that could be strong and true": Kenneth Cook's Wake in Fright as queer
interior' Monique Rooney presents a compelling reading of the complicated relations
between self and other, interior and exterior, in the iconic, troubling text of Wake in
Fright. Her discussion focuses on the play of aurality and lyricism in the novel's
account of outsider relations, and proposes a reading that draws on Michael
Snediker's 'emphasis on a potentially joyful Freud' in classic accounts of queer
melancholy in order to attend to what she determines is a 'critique of processes of
masculinist dis-identification' in the novel. This important discussion works to
reanimate critical consideration not only of a significant and neglected text, but also
of broader debates around the reach and nature of metropolitan subjectivities in post-
WWII literature in Australia.' (Source: Introduction : Archive Madness, p. 3)
‘A Heart That Could be Strong and True’ : Kenneth Cook’s Wake in Fright as Queer InteriorMonique Rooney,
2011single work criticism — Appears in:
JASAL,Special Issuevol.
11no.
12011;(p. 1-15)'In ' "A heart that could be strong and true": Kenneth Cook's Wake in Fright as queer
interior' Monique Rooney presents a compelling reading of the complicated relations
between self and other, interior and exterior, in the iconic, troubling text of Wake in
Fright. Her discussion focuses on the play of aurality and lyricism in the novel's
account of outsider relations, and proposes a reading that draws on Michael
Snediker's 'emphasis on a potentially joyful Freud' in classic accounts of queer
melancholy in order to attend to what she determines is a 'critique of processes of
masculinist dis-identification' in the novel. This important discussion works to
reanimate critical consideration not only of a significant and neglected text, but also
of broader debates around the reach and nature of metropolitan subjectivities in post-
WWII literature in Australia.' (Source: Introduction : Archive Madness, p. 3)
37-39https://www.australianbookreview.com.au/abr-online/archive/2009/november-2009-no-316/287-november-2009-no-316/6391-the-unsentimental-bloke-kenneth-cook-and-wake-in-fright-by-jacqueline-kentThe Unsentimental BlokeAustralian Book Review