In this essay, Paxton offers 'a more specifically modernist vantage point on the fiction Devanny wrote about Australia, soon after she moved with her family to Sydney in 1929, by looking more closely at her lesser-known romances, Out of Such Fires (1934) and The Ghost Wife (1935)'. (p 150)
In this essay, Paxton offers 'a more specifically modernist vantage point on the fiction Devanny wrote about Australia, soon after she moved with her family to Sydney in 1929, by looking more closely at her lesser-known romances, Out of Such Fires (1934) and The Ghost Wife (1935)'. (p 150)