The Overlanders : Between Nations single work   criticism  
Issue Details: First known date: 2007... 2007 The Overlanders : Between Nations
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'This article argues that Harry Watt's The Overlanders (1946), an Ealing Studios film shot in Australia, should be understood as an international film product, one with a foot in the post-war cultural histories of both Australia and Britain. In this sense the film requires different reading strategies to those used within a national cinema framework. The article resists 'settling' the account, or justifying the film's raison d'être with respect to only one of nationalist discourse, arguing that a reliable and truthful account of The Overlanders will always be a composite one.' Source: Studies in Australasian Cinema 1.1 (2007): 79. (Sighted 01/09/2009).

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 1 Sep 2009 16:06:47
79-89 The Overlanders : Between Nationssmall AustLit logo Studies in Australasian Cinema
Subjects:
Newspapers:
    Powered by Trove
    X