'The foucs of this chapter is on the ways that the films Heartland, Cunamulla and Message from Moree send a message to the viewer about what's going on in the country. The asssunption that life in the the country is shaped by what happened after the frontier wars is axiomatic for these programs. In the 1990s, reconciliation policies at the national level have influenced film narratives about the survival of Aboriginal communities and the various ways that settler and Indigenous Australians have intermingled in the country.' The authors argue that 'these narratives have found their way through the public film-funding bodies to ABC Television and can thus be construed as contributing to the national interest rather than to the sphere of entertainment.' Source : Australian Cinema after Mabo (2004).