y separately published work icon The Lifted Brow periodical  
Date: 2012-2020
Date: 2007-2012
Issue Details: First known date: 2007... 2007 The Lifted Brow
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Issues

y separately published work icon The Lifted Brow no. 45 March 2020 18762270 2020 periodical issue
y separately published work icon The Lifted Brow no. 44 December 2019 18439180 2019 periodical issue
y separately published work icon The Lifted Brow no. 43 September 2019 17164128 2019 periodical issue 'How long we need to do this topic justice. We need to be very deliberate and strategic. We need to be modelling futurity. We need three more salmons and a veggie lasagna. We might need to call it that we can’t live in, say, a nuclear family context. The lever-arch file of paperwork you need to complete. The need to look queer was all the more urgent. We need programs that help. they needed to stop.' (Editorial introduction)
y separately published work icon The Lifted Brow no. 42 June 2019 16842619 2019 periodical issue 'A  poet friend told me recently that they wished their poem was a brick. A festival director friend said that it's just writers having a chat. And a friend with a grant to write a novel has just taken up carpentry.' (Editorial introduction)
y separately published work icon The Lifted Brow no. 41 March 2019 15883747 2019 periodical issue

'In 2006, a shopping centre in Queensland’s Hervey Bay agreed to de-install a controversial anti-loitering device on the basis of unlawful discrimination and direct physical harm. Installed in 1996 at the recommendation of local police, the ‘Mosquito’ emits a continuous tone at a frequency of 17.4 kHz in order to deter antisocial youth. &e device’s efficacy depended on the fact that our ability to hear high frequencies rapidly deteriorates with age. Arguments both for and against this device pivot on the way it deliberately manipulates auditory perception to target a specific, presumably undesirable, demographic. What we heard as teenagers—what we were capable of hearing—is very different to what we’re hearing now.' (Editorial introduction)

y separately published work icon The Lifted Brow no. 40 December 2018 15394714 2018 periodical issue

'We acknowledge and pay our respect to all the Grandmothers, Mothers, Aunties, Sistas, and Sistergirls, Cuzzies and Tiddas gone before us, those lost too young, and those to come. We love you, your strength, knowledge, humility, grief and anger. Youse are all Most Deadly!

'Shout out to the Aboriginal and Torres Strait Islander writers and editors who have worked with The Lifted Brow before this, and who held the door open for this edition.

'Running the editorial as a collective for this issue of The Lifted Brow was important for many reasons. Too often as Blakfellas we are expected to work as lone rangers in white corporations and institutions, as the keepers of all knowledge, the go to on every ‘Aboriginal issue’, and the incompetent to lay blame with when things don’t go well. It is expected that we are happy to fit into the individualistic mindset of western capitalism, because you want that job, right? To keep a roof over you and your family’s head, right? To be all white, white?' (Editorial introduction)

y separately published work icon The Lifted Brow no. 39 September 2018 14357160 2018 periodical issue

'A memory isn’t a stable artefact, it’s an experience carved from a sea of empirical data to try and prove a rule: if x, then y, because z, and z, and z. We maintain these moments tangentially, relationally, “As long as... not as possible, but as is willed by interested parties.”

'Learning to tell the stories that serve us best necessitates the loss of stories we told before; this negotiation is inherent to narrative. Our brains respond to new data, reconfigure the hierarchy of information, reconstruct the narrative, and move on. A narrative demands that we don’t keep everything.' (Jini Maxwell Editorial introduction)

y separately published work icon The Lifted Brow no. 38 June 2018 14080853 2018 periodical issue

'As a teenager, one of my favourite movie scenes featured a baby-faced John Cusack standing in his tweed coat and Clash T-shirt, boombox held aloft in the air, blasting Peter Gabriel in a last-ditch attempt to woo back his girl, who is sleeping in the bedroom above. These days, I’ve no desire to revisit the film—I worry that what charmed me in a mainstream eighties rom-com may easily come across as borderline stalker-ish now—but something about the overly earnest scene keeps popping back into my brain. This is important, Cusack’s character says; even if all this is inevitably doomed, I must at least TRY.' (Annabel Bardy-Brown, Editorial introduction)

y separately published work icon The Lifted Brow no. 37 March 2018 13351020 2018 periodical issue

'I lose followers every time I tweet about sports. But then again, Twitter is a shitty website, and sports bring me endless joy. Whether encountered in a local park or an arena, they’re settings for all kinds of incredible human achievements. They’re also rich in symbols that can be applied to all walks of life, or stretched to fit generic introductory statements.' (Justin Wolfers Editorial introduction)

y separately published work icon The Lifted Brow vol. 36 December 2017 12336720 2017 periodical issue

'Here’s a situation you might’ve found yourself in: you go out for dinner with a group of friends and, before ordering, decide the bill will be split equally. Were you alone, or paying only for what you yourself ate, you’d probably order the least expensive option available (within reason), but what you really want to order is about ten dollars more than the item you’d pick if you were solely responsible for footing the bill.' (Editorial)

y separately published work icon The Lifted Brow vol. 35 September 2017 11656184 2017 periodical issue

'On the same July day that a 5,800km section of the Larsen C ice shelf calved off from Antarctica, sending Twitter into a fresh bout of eco-anxiety, one of us was people-watching a Melbourne street where all appeared to be business as usual. Despite the rain, teens queued for supersized cartoon-pink iced donuts; one 4WD driver got into a fight with another, after stealing her park. It was the type of prosaic horror that might be found in a short story by George Saunders, whose absurdist fiction compassionately engages with our times, and who happens to be interviewed in this issue. “Don’t be afraid to be confused,” writes Saunders in The Braindead Megaphone—as if there were another option available to us in this winter of stuplimity.'

'('Why haven’t you let them out? Why have you not let them into your society?')'

(Editorial)

y separately published work icon The Lifted Brow no. 33 March 2017 11019933 2017 periodical issue

'The Australian Senate is soon to debate a bill that, if passed, would prevent people who arrive by boat seeking asylum in Australia from ever gaining long-term settlement and protection, and, as a consequence, ultimately rewrite the definition of ‘refugee’ in this country. Allegedly a deterrent to people smugglers and an effort to stop people drowning at sea, the proposal is the product of a policy that attempts to shift the meaning of words in order to violate human rights and international law, gag information, and dehumanise victims.' (Editorial Introduction (Brady-Brown, Annabel and Dzunko, Zoe Lifted Brow, The, No. 33,(3))

y separately published work icon The Lifted Brow no. 31 September 2016 10733100 2016 periodical issue

'At The Lifted Brow we often find ourselves thinking about intention: what did we intend to do, what do we intend to do, what should we intend to do, and why. What we can promise is that we always intend to intend, no matter what. And we can tell you that we know that the right intentions are a good start, but are never enough on their own. Which is why we intend to continually evolve, too.' (Introduction)

y separately published work icon The Lifted Brow no. 30 June 2016 10732638 2016 periodical issue

This magazine is concerned with language and information on a very plain level. See it talking to you? (John Ashbery-ish) This magazine is concerned with styling language and information for the purpose of shifting units.' (Introduction)

y separately published work icon The Lifted Brow no. 29 March 2016 9442342 2016 periodical issue
y separately published work icon The Lifted Brow The Art Issue no. 28 November 2015 9201163 2015 periodical issue
y separately published work icon The Lifted Brow no. 27 September 2015 8930630 2015 periodical issue
y separately published work icon The Lifted Brow no. 26 June 2015 8695945 2015 periodical issue
y separately published work icon The Lifted Brow no. 25 March 2015 8695316 2015 periodical issue
y separately published work icon The Lifted Brow no. 24 September/October 2014 8693923 2014 periodical issue
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