Walking Around at Night single work   poetry   "The rising moon appears,"
Issue Details: First known date: 1988... 1988 Walking Around at Night
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All Publication Details

  • Appears in:
    y separately published work icon Piano Robert Gray , Sydney : Angus and Robertson , 1988 Z439371 1988 selected work poetry Sydney : Angus and Robertson , 1988 pg. 23-25
  • Appears in:
    y separately published work icon Selected Poems Robert Gray , North Ryde : Angus and Robertson , 1990 Z425541 1990 selected work poetry North Ryde : Angus and Robertson , 1990 pg. 189-192
  • Appears in:
    y separately published work icon New and Selected Poems Robert Gray , Port Melbourne : Heinemann , 1995 Z284053 1995 selected work poetry Port Melbourne : Heinemann , 1995 pg. 178-181
  • Appears in:
    y separately published work icon New Selected Poems Robert Gray , Potts Point : Duffy and Snellgrove , 1998 Z247102 1998 selected work poetry Potts Point : Duffy and Snellgrove , 1998 pg. 178-181
  • Appears in:
    y separately published work icon Grass Script : Selected Earlier Poems. Robert Gray , Manchester : Carcanet , 2001 Z942576 2001 selected work poetry The poems in this representative collection were written between 1968 and 1987 and are drawn from Creek Water Journal (1974), Grass Script (1978), The Skylight (1983) and Piano (1988). Manchester : Carcanet , 2001 pg. 126-127
  • Appears in:
    y separately published work icon Cumulus : Collected Poems Robert Gray , St Kilda : John Leonard Press , 2012 Z1893435 2012 selected work poetry 'This book is a landmark in Australian poetry. For Cumulus, Robert Gray has chosen all he wishes to retain from his eight volumes of poetry, some of it considerably and significantly revised. He has included here a new book, "Nameless Earth", not previously published in Australia.

    'Gray has been a daring and original experimenter in the free verse line, and also at times with traditional forms. Equally, his work is notable for its frequent, uncanny rightness in the creation of images. His thinking shows a remarkable fluency in both Eastern and Western philosophies (Gray has referred to himself as a Buddhist heretic). These are all modernist pathways, and this poetry negotiates them with a lucid, classical temper.

    'Most striking is an ever-alert immediacy—a perception and reflectiveness in the fluid moment. Whether through his sensuous language or his powerful engagement with ideas, Gray's poetry continually opens us to a fresh involvement with the physical world.' (From the publisher's website.)
         St Kilda : John Leonard Press , 2012     pg. 128-129
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