Ashton discusses narrative technique and the notion of family in Tsiolkas's The Slap, Cunningham's Bird, Flanagan's Wanting, Leigh's Disquiet, and Lohrey's Vertigo. The review spends most time on The Slap, and Ashton argues that the novel's focus on family should be seen not as a flight from politics, but as 'a flight to the politics of the middle-class family' (93).