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Publication Details of Only Known VersionEarliest 2 Known Versions of
Related Works
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y
Shattered
Sydney
:
Hachette Livre Australia
,
2007
Z1342252
2007
single work
novel
crime
detective
'Gemma Lincoln ... has to find the murderer of a police superintendent. But will the Force close around her? Is a cop the killer? Private Investigator Gemma Lincoln is back. A brother and sister-in-law are shot dead in the hallway of their family home. The dead man, Bryson Finn, was a police superintendent; his bereaved wife, Natalie Sutherland, is a former detective. Was this a case of cop killing cop? Natalie hires Gemma to find out, fearing that the Force will close ranks to keep it quiet. That might not be the smartest thing Ms Sutherland has ever done ...
'While trying to solve this bloody crime, and the many minor skirmishes that help pay the bills for a PI, Gemma has to make tough decisions about her own life. Is she in love with Steve? Will she tell him about the baby? Can she be a mother on her own?'
Works about this Work
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Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii)
-
Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii)
