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y separately published work icon Broken Glass single work   novel   young adult  
Issue Details: First known date: 2008... 2008 Broken Glass
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AbstractHistoryArchive Description

'Nile is charismatic, on the edge and out of control. For Clarkey, his best friend, being around him is a wild ride, one thing worth living for in their small town. But then Nile goes much too far, even for Clarkey, and he's forced to testify against him. It's the worst thing that has ever happened to him and the hardest thing he's ever done. But before he knows it, the entire town has turned against him and Clarkey turns in on himself. Hiding away in his parents' shop - as much a prisoner as Nile is in jail. But then, five years on, Nile is out of prison and back in town - threatening and angry - and the fragile peace that Clarkey has managed to find begins to falls apart. But beneath the surface of this sleepy country town is a terrible violence and before long, Clarkey will need to decide whose side he's really on. But which side is worse? And what is Clarkey himself capable of? A stunning, frighteningly real debut novel from a very talented new voice."--Provided by publisher.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Camberwell, Camberwell - Kew area, Melbourne - Inner South, Melbourne, Victoria,: Penguin , 2008 .
      image of person or book cover 6652017665186047210.jpg
      This image has been sourced from Goodreads.
      Extent: 215p.
      Note/s:
      • Published August 4th 2008
      ISBN: 9780143007982 (pbk.)

Works about this Work

Writing 'Broken Glass' Adrian Stirling , 2009 single work column
— Appears in: Viewpoint : On Books for Young Adults , Autumn vol. 17 no. 1 2009; (p. 10)
Adrian Stirling shares his personal experience of writing and researching his first full length novel Broken Glass. The novel is set in a small country town and so Stirling sets out on a series of day trips to enhance his knowledge, 'gained through teaching', of small town living. He found the exeprience particularly rewarding and says that '[m]any of the incidental conversations in the books are things I overheard people saying'. Stirling says that the characters are not based on anyone specific but that the main protagonists in the story, Danny and Nile, are 'a collection of qualities' found in people he observed in his travels. After walking down 'plenty of main streets' he began to notice 'the things small towns had in common: war memorials, top and bottom pubs, bakeries with gold-medal pies and vanilla slices', and says Suddenly...it felt like I was writing about something real'. Stirling says that looking back, his process of writing and re-writing 'wasn't very economical' but it allowed him to 'explore different charatcers individually before the plot really came together'. He was happy to finish and 'have written a book' but didn't hold any 'false hope for publication, so was very excited when Penguin offered to publish it.
[Review] Broken Glass Pippa Williams , 2008 single work review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 22 no. 3 2008; (p. 68-69)

— Review of Broken Glass Adrian Stirling , 2008 single work novel
[Review] Broken Glass Kevin Steinberger , 2008 single work review
— Appears in: Reading Time : The Journal of the Children's Book Council of Australia , November vol. 52 no. 4 2008; (p. 39)

— Review of Broken Glass Adrian Stirling , 2008 single work novel
[Review] Broken Glass Anne Briggs , 2008 single work review
— Appears in: Magpies : Talking About Books for Children , September vol. 23 no. 4 2008; (p. 42-43)

— Review of Broken Glass Adrian Stirling , 2008 single work novel
[Review] Broken Glass Mario La Marca , 2008 single work review
— Appears in: Viewpoint : On Books for Young Adults , Spring vol. 16 no. 3 2008; (p. 4)

— Review of Broken Glass Adrian Stirling , 2008 single work novel
The reviewer highly recommends this first novel by Adrian Stirling with the proviso that this work, set in small town Australia, has final chapters which are 'grim, shocking and confronting'.
[Review] Broken Glass Mario La Marca , 2008 single work review
— Appears in: Viewpoint : On Books for Young Adults , Spring vol. 16 no. 3 2008; (p. 4)

— Review of Broken Glass Adrian Stirling , 2008 single work novel
The reviewer highly recommends this first novel by Adrian Stirling with the proviso that this work, set in small town Australia, has final chapters which are 'grim, shocking and confronting'.
[Review] Broken Glass Anne Briggs , 2008 single work review
— Appears in: Magpies : Talking About Books for Children , September vol. 23 no. 4 2008; (p. 42-43)

— Review of Broken Glass Adrian Stirling , 2008 single work novel
[Review] Broken Glass Kevin Steinberger , 2008 single work review
— Appears in: Reading Time : The Journal of the Children's Book Council of Australia , November vol. 52 no. 4 2008; (p. 39)

— Review of Broken Glass Adrian Stirling , 2008 single work novel
[Review] Broken Glass Pippa Williams , 2008 single work review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 22 no. 3 2008; (p. 68-69)

— Review of Broken Glass Adrian Stirling , 2008 single work novel
Writing 'Broken Glass' Adrian Stirling , 2009 single work column
— Appears in: Viewpoint : On Books for Young Adults , Autumn vol. 17 no. 1 2009; (p. 10)
Adrian Stirling shares his personal experience of writing and researching his first full length novel Broken Glass. The novel is set in a small country town and so Stirling sets out on a series of day trips to enhance his knowledge, 'gained through teaching', of small town living. He found the exeprience particularly rewarding and says that '[m]any of the incidental conversations in the books are things I overheard people saying'. Stirling says that the characters are not based on anyone specific but that the main protagonists in the story, Danny and Nile, are 'a collection of qualities' found in people he observed in his travels. After walking down 'plenty of main streets' he began to notice 'the things small towns had in common: war memorials, top and bottom pubs, bakeries with gold-medal pies and vanilla slices', and says Suddenly...it felt like I was writing about something real'. Stirling says that looking back, his process of writing and re-writing 'wasn't very economical' but it allowed him to 'explore different charatcers individually before the plot really came together'. He was happy to finish and 'have written a book' but didn't hold any 'false hope for publication, so was very excited when Penguin offered to publish it.
Last amended 16 Aug 2021 11:51:43
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