Custody single work   drama  
Issue Details: First known date: 2007... 2007 Custody
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AbstractHistoryArchive Description

'Two women meet on an Alice Springs-bound plane. Susan’s a successful ex-pat actor, happy to have snared a role in the Law and Order franchise; Inala’s an unsuccessful playwright of dubious heritage. They are both in Alice to handle mysterious “family business”. Thrown together, they stagger through a minefield of political correctness and identity confusion, distracted by an old Kombi called Birra Birra, T-shirts plastered with slogans, a smoking ceremony, Krispy Kreme donuts, topless traditional dancing and the occasional vomit bag…' (Source: Inscription website)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

y separately published work icon Indig-curious : What Are the Challenges for Non Aboriginal Theatre Practitioners in Accessing and Interpreting Aboriginal Themes? Jane Harrison , Brisbane : 2009 Z1804486 2009 single work thesis How do non-Indigenous theatre practitioners, especially actors, access and incorporate Aboriginal themes in the plays they create or perform in? Will it ever be acceptable for a non-Aboriginal actor to play an Aboriginal role? In literature there are clear protocols for writing Aboriginal characters and themes. In the visual arts and in dance, non-Indigenous practitioners might 'reference' Aboriginal themes, but what about in theatre performance? This research embodies one cultural dilemma in a creative project and exegesis: exploring the complex issues which emerge when an Aboriginal playwright is commissioned to write an 'Aboriginal themed' play for two non-Aboriginal actors. [Author's abstract]
y separately published work icon Indig-curious : What Are the Challenges for Non Aboriginal Theatre Practitioners in Accessing and Interpreting Aboriginal Themes? Jane Harrison , Brisbane : 2009 Z1804486 2009 single work thesis How do non-Indigenous theatre practitioners, especially actors, access and incorporate Aboriginal themes in the plays they create or perform in? Will it ever be acceptable for a non-Aboriginal actor to play an Aboriginal role? In literature there are clear protocols for writing Aboriginal characters and themes. In the visual arts and in dance, non-Indigenous practitioners might 'reference' Aboriginal themes, but what about in theatre performance? This research embodies one cultural dilemma in a creative project and exegesis: exploring the complex issues which emerge when an Aboriginal playwright is commissioned to write an 'Aboriginal themed' play for two non-Aboriginal actors. [Author's abstract]

Awards

2007 winner Inscription Holmes a Court Indigenous Award
Last amended 17 Jun 2015 16:10:59
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