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AbstractHistoryArchive Description
Musical scena.
One of several Oriental or Eastern scenas staged in Brisbane during the year. The Truth records that 'My Little Chinee Girl in China [was] the latest of the scenas in which the Serenaders score success gratifying to all concerned' and that 'the pretty little girl who takes the name part deserves a box of the best chocolates every night' (1 December 1918, p.6). The review further notes that Hugh Huxham gave 'an admirable impersonation of a homesick "John".'
Two of the songs presented during the production were 'The International Rag' and 'Oh Yes I Remember' (both sung by Edith Huxham).
Notes
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Possibly written by Hugh Huxham, in collaboration with other members of his troupe.
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The Australian public's interest in these Oriental musical scenas is evident in the large number of them produced around the country between the mid-1910s and early 1920s. For example, in Brisbane, Edward Branscombe's Dandies (q.v.) staged In China Town at the Cremorne Garden Theatre in 1917 (ca. 14 April), while John N. McCallum's Courtiers company presented a similar version of the same 'fascinating Chinese Scene' at the Cremorne in early September of the same year. A month later, In Yokohama was staged by the Smart Set Entertainers (q.v., 12 October) at the Palace Gardens. Other Oriental-influenced scenas staged in Brisbane during 1918 include In Sunny Japan (Smart Set, 11 January); several unnamed productions in early February and early March; In Fair Japan (Huxham's Serenaders, 20 September); and Asia Minor (Huxham's Serenaders, 11 October). Productions from 1919 included Huxham's Serenaders' The Fan Tan Man (10 January).
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It has been suggested that a number of these Oriental scenas might have been adapted or reinterpreted from other productions. For example, Delyse Ryan ('Brisbane Theatre During World War I') suggests that using set pieces from previous productions may have been a cost-saving policy at Brisbane's Cremorne Garden Theatre (p.143). However, as variety audiences expected a constant stream of new and stimulating entertainments, entrepreneurs such as John N. McCallum would have restricted the re-use of sets to the revivals of popular productions, rather than rehashing old shows under new titles. It is also more likely that old scenic art was painted over to reduce production costs.
It is also believed that redundant scenic art was sometimes sold to other organisations, theatrical or otherwise. In August 1916, for example, Brisbane's Glideway Skating Rink advertised the 'tremendous scenic production' In Sunny Japan. A similarly titled scena had been staged at the nearby Cremorne the previous year (ctd. Brisbane Courier 5 August 1916, p.2).
For further details, see AustLit's entry for In Sunny Japan.
Production Details
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1918: Cremorne Garden Theatre, Brisbane, 28 November - 5 December. Director Hugh Huxham ; Producer John N. McCallum ; Troupe Huxham's Serenaders.
Cast incl. Hugh Huxham, Edith Huxham, Sydney Hollister, Reg Harrison, Fred Heraud, Miss Pop Batterbury, Dan Weldon, Olive Sneddon, Kitty Morton, Pearlie McKenzie.
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This entry has been sourced from on-going historical research into Australian-written music theatre being conducted by Dr Clay Djubal.
Publication Details of Only Known VersionEarliest 2 Known Versions of
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cChina,cEast Asia, South and East Asia, Asia,
