'When Helen’s old friend, Nicola, comes to town for treatment, it only makes sense she should stay in the spare room. Nicola has put her faith in a shady alternative cancer clinic, and Helen is determined to be her brilliant friend and carer no matter what. But as the sleepless nights rack up, a short stay in the spare room becomes a loving, maddening battle for life.'
Source: Production blurb.
'This chapter considers Helen Garners fiction, assessing the evolution of her work from the scandalous diary-like immediacy of the Monkey Grip (1977) through to her minimalist masterpiece The Children’s Bach (1984). Throughout, it considers the house as a core spatial configuration that changes across Garner’s work.' (Publication abstract)