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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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A Poetics of Sacred and Secular in Australia
2020
single work
criticism
— Appears in: JASAL , vol. 20 no. 2 2020;'This essay examines the claims to secularity of contemporary Australia, arguing that in the context of Indigenous Australians' declaration, in the document 'Uluru: Statement from the Heart', and of many poetic expressions, we must more fully explore the category of the sacred. Further, the essay argues that in contemporary Australia, sacred and secular domains need to be mutually engaged. The essay offers the idea of the poetic sacred - where secular (political, earthed, civic) and sacred (numinous, transcendent, meaning-making) possibilities can be seen in dialogue. 'Uluru: Statement from the Heart', as well as the poetry of Bruce Dawe, Les Murray, Lionel Fogarty and Judith Beveridge are examined, as exemplars of the poetic sacred.' (Publication abstract)
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The Other Shore Is Here : Contemporary Poetry of the Sacred
2009
single work
criticism
— Appears in: Intimate Horizons : The Post-Colonial Sacred in Australian Literature 2009; (p. 243-286) -
The Locatedness of Poetry
2009
single work
criticism
— Appears in: JASAL , Special Issue 2009; Interpretations , July vol. 43 no. 2010; (p. 28-34) This essay argues that understanding the locatedness of poetry is crucial as a measure by which to sift the high rhetorics of national, cosmopolitan, globalising discourses. In an analysis of the poetry of Indigenous writers Tony Birch, Sam Wagan Watson and Lionel Fogarty, and of the Federal Government's Apology to the Stolen Generations, we can see more clearly the role of literature, and particularly poetry, in debates between the local and the global.
-
The Locatedness of Poetry
2009
single work
criticism
— Appears in: JASAL , Special Issue 2009; Interpretations , July vol. 43 no. 2010; (p. 28-34) This essay argues that understanding the locatedness of poetry is crucial as a measure by which to sift the high rhetorics of national, cosmopolitan, globalising discourses. In an analysis of the poetry of Indigenous writers Tony Birch, Sam Wagan Watson and Lionel Fogarty, and of the Federal Government's Apology to the Stolen Generations, we can see more clearly the role of literature, and particularly poetry, in debates between the local and the global. -
The Other Shore Is Here : Contemporary Poetry of the Sacred
2009
single work
criticism
— Appears in: Intimate Horizons : The Post-Colonial Sacred in Australian Literature 2009; (p. 243-286) -
A Poetics of Sacred and Secular in Australia
2020
single work
criticism
— Appears in: JASAL , vol. 20 no. 2 2020;'This essay examines the claims to secularity of contemporary Australia, arguing that in the context of Indigenous Australians' declaration, in the document 'Uluru: Statement from the Heart', and of many poetic expressions, we must more fully explore the category of the sacred. Further, the essay argues that in contemporary Australia, sacred and secular domains need to be mutually engaged. The essay offers the idea of the poetic sacred - where secular (political, earthed, civic) and sacred (numinous, transcendent, meaning-making) possibilities can be seen in dialogue. 'Uluru: Statement from the Heart', as well as the poetry of Bruce Dawe, Les Murray, Lionel Fogarty and Judith Beveridge are examined, as exemplars of the poetic sacred.' (Publication abstract)
