Cirrus@Austlit

'The study of national images and stereotypes has slipped from fashion in some quarters since the rise of postcolonial theory in the 1980s followed by globalisation studies in the 1990s. But as Wolfgang Zach ably reminds us, opposition to the study of national images was also opposed by universalist theorists in the 1950s and 60s led by Rene Wellek (Zack & Kosok 1987:ix–xii). Despite such opposition, then and since, national studies have continued in a variety of forms ranging from the impressionistic to the systematic. Stereotypes and autostereotypes, as well as more in-depth, qualitative analyses recur as writers from one nation attempt to describe or typify another. This essay attempts to explore some of the ways in which India and Indian people were presented in prose narratives by Australians between 1850 and 1950. The approach is eclectic, taking into account historical context, genre and the use of national image-making of selves and others during a century of changing ideas of the nation.' (Introduction)