A review of the 1919 Palace Theatre (Sydney) premiere published in the Sydney Morning Herald records that 'In this twentieth century elaboration of Jack and Jill, the boy and girl of the time-worn nursery rhyme are almost lost in the comedy padding, the scenic ornamentation, and in the spectacular embroideries, which include a number of dances and ballets arranged by Espinosa.'
The critic notes, for example, Bert Bailey's role in the production:
'As Ginger, the Prince's man, [he] spreads himself in songs and character sketches which have nothing to do with Jack and Jill. In the first act we have Ginger in a modern sac suit singing about dear old Sydney in "Billo," with a scenic background showing Man-o-war Steps. A little later the red-haired humorist, in an old-time costume, is audaciously fooling with the Dame and singing, "Sprinkle me with Kisses"' (19 May 1919, p.7).
The musical programme included ballet and incidental music by Robert Keers. Among the other songs incorporated into the pantomime were 'Give Me No Man's Land' (sung by Gracie Doran), 'A Wedding in the Farmyard' (Ida Newton and Gracie Doran), 'Life in the Old Girl Yet' (Barry Lupino), 'Billo' (Bert Bailey), and 'Jogging along the Highway' and 'The Blue Billabong' (by David Loffman dressed as an Australian swagman). The Argus records that one of the highlights of the Melbourne production was Bert Bailey's character study and song 'Billo', which concluded with a mock Apache dance performed with Gertie Latchford. Both the Age and Argus also drew attention to the march of Australian products, symbolised by ingenious costume designs, which concluded the pantomime.
The published synopsis of scenery is:
Act 1: Scene 1. The Village of Peace and Plenty; Scene 2. Corridor of the Regent's Palace; Scene 3. The Widow's Tonsorial Establishment; Scene 4. The Road to the School; Scene 5. Man-O-War Steps; Scene 6. The School Room; Scene 7. The Road to the Well; Scene 8. The Hill Top; Scene 9. On the Way to Bagdad; Scene 10. Bagdad.
Act 2: Scene 1. The Haunt of the Hunchback; Scene 2. The Floral Ballet; Scene 3. The Corridor of the Regent's Palace; Scene 4. The Forge; Scene 5. The Road to Nowhere; Scene 6. The Corridor to the Palace; Scene 7. A Spanish Courtyard; Scene 8. The Regent's Physic Shop; Scene 9. Grand Finale in the Palace; Scene 10. The Christmas Plum Pudding.
Although the show had an experienced and high-profile cast of principal performers, the Sydney Morning Herald reported that it was stolen by Barry Lupino in the dame role. The paper's critic records:
'The house may be said to have rocked with laughter during the roaring farce of the school scene, and while the dame with a caricature of a face and her insecure admirer gave sigh for sigh and smile for smile as sitting on the edge of a cliff near the hill top from which Jack and Jill tumble down after drawing a pail of water' (19 May 1919, p.7).
1918: King's Theatre, Melbourne, 21 December 1918 - 28 January 1919. Director Barry Lupino ; Producer J. and N. Tait ; Music Director/Conductor Fred Walford ; Scenic Art Alfred Clint and William Rowell ; Chorus Espinosa ; Costumes McCathie Ltd, Ada Colton, and Madame Oughton ; Stage Manager H. C. Nightingale ; Ballet Mistress Lena Henry.
Cast incl. Dorothy Leigh (Jack); Gracie Doran (Jill); Barry Lupino (Dame Durden); Bert Bailey (q.v., Ginger); General Biff (David Loffman); George Moon (q.v., Private Baff); Daniel Morris (q.v., Private Boff); James Vivian (Private Bim); Ernie Stebbing (Private Zim); Daisy Yates (Trim, Lord in waiting); Joe Brennan (q.v., The Regent); Violet Collinson (Princess Bountiful); Gertie Latchford (Fantine); William A. Hassan (Edward Ass-in-Nine); Virginia Roche (Prince Fearnaught); Fred MacDonald (Carl the Hunchback); Fred Monument (Chief Slave); Una Jan (Fairy Queen); Elva Powie (Prima Ballerina); Little Prilk Lupino [sic] (Dog Toby); Charles Albert (solo dancer); Ida Newton; Lena Henry, Eileen Dorgan, Violet Harding, Rene Denerio (Premieres Danseuses).
Other characters incl.Villagers, Fairies, Slaves, Glow Worms, Soldiers, Beauties, Goblins, Persians, Spaniards, Living Toys, Living Flowers.
American principal boy Virginia Roche and English comedians/dancers Moon and Morris (as Privates Baff and Boff) were unable to make it to Melbourne in time for the premiere. Dorothy Leigh subsequently filled in the role of Prince Fearnaught (the part she later played in Sydney), while Ida Newton (wife of Joe Brennan) took on the principal boy role of Jack.
The season ended prematurely when Victorian theatres were forced to close due to the Spanish flu epidemic.
1919: Palace Theatre (Syd); 17 May - 26 June. Cast and production mostly as for previous Sydney season.
Cast changes for this production saw Dorothy Leigh play Prince Fearnaught and David Loffman play the Chief Slave (this version does not appear to have a character named General Biff, the character that Loffman played in 1918).
Sadie Pepper, whose name does not appear in advertising for the 1918 production, is named as one of the Premieres Danseuses in 1919.
The Palace Theatre season was due to open in early April but was delayed when NSW theatres were closed due to the Spanish flu epidemic.