A collaborative writing project looking at the idea of a wall and its metaphors. 'Ellis uses the Middle East as a setting, in a scene where a boy has a bomb strapped to his body, in what Bendall says is a snapshot of community reaction to a wall appearing in the middle of a zoo. Wright deals with convicts being transported to Botany Bay while O'Neill examines the global sex trade in a thriller setting, with questions about the divide between the first and third worlds....Her script examines the plight of an East European sex slave, inspired by a story she heard while a drama student in London 20 years ago.' 'Tearing Down the Walls', The Age, 31 May 2005.