'Five plays from around the country which illustrate that the rich tradition of indigenous storytelling is flourishing in contemporary Australian theatre.' (Source: Australianplays.org)
Adapted from Vivenne Cleven's award-winning novel Bitin Back.
'In this riveting reworking of Euripides' play, Medea is a young Indigenous woman who after leaving her family and desert country behind, finds herself in a loveless partnership with the drunken and violent Jason. When Medea attempts to flee home with their young son, Jason makes her promise that she will never take the child from the house. In a breathtaking act of revenge and sacrifice, Medea kills her young child... the child that was the father's heart.' (Source: AusStage website)
'An acclaimed play that strikes at the very heart of the Stolen Generations, exploring the impact on an individual and a culture when relationships are brutally broken.' 'Based on the life story of Geoffrey Narkle, King Hit mirrors the lives of many Aboriginal people of his generation. Forcibly removed from his family, Geoffrey was raised on Wandering Mission before leaving to join Stewart's Boxing Troupe, where he travelled the South West as a tent boxer.'
'Ultimately it would be Geoffrey's fighting spirit that gave him the strength to turn away from a downward spiral of despair and find peace within and reconcile broken family bonds.' (Source: Yirra Yaakin Theatre Company website; Publisher's blurb,19/07/2009).
'Three generations of Koori women live on the edge of a country town in a shack on the banks of a flood prone river. For Nan, even life on “The Flats” represents progress of a kind, but Gladys has ambitions for a real house in town and a proper job for daughter Dolly. Set against the Queen’s visit in 1954 with music that evokes the period, this tender, funny play celebrates the fierce optimism of the women as they struggle for community acceptance in Menzies’ era Australia. ' (Source: AusStage website)
