The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
Production Details
-
First performed at Sydney's Stables Theatre, 1992, again at the Stables in 1993 as part of Carnivale, at the Universal Theatre in Melbourne in 1994, and at the State Theatre Company of South Australia for the International Women Playwrights' Conference in Adelaide, also in 1994. (From Tompkins, Joanne. 'Inter-Referentiality,' n. 4, p. 131).
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Staging a 'Plurality of Vision' : Diasporic Performance in Polycharacter Monodrama
2012
single work
— Appears in: Modern Drama , Winter vol. 55 no. 4 2012; (p. 304-328) -
Inter-Referentiality : Interrogating Multicultural Australian Drama
1998
single work
criticism
— Appears in: Our Australian Theatre in the 1990s 1998; (p. 117-131) This paper examines the discourses of multiculturalism in 1990s Australian drama, operating between 'the sexiness of difference and the unattainable authenticity that multiculturalism seems to still require' (117).
-
Inter-Referentiality : Interrogating Multicultural Australian Drama
1998
single work
criticism
— Appears in: Our Australian Theatre in the 1990s 1998; (p. 117-131) This paper examines the discourses of multiculturalism in 1990s Australian drama, operating between 'the sexiness of difference and the unattainable authenticity that multiculturalism seems to still require' (117). -
Staging a 'Plurality of Vision' : Diasporic Performance in Polycharacter Monodrama
2012
single work
— Appears in: Modern Drama , Winter vol. 55 no. 4 2012; (p. 304-328)
Last amended 7 Mar 2007 13:20:25
