My Mob, My Self single work   criticism  
Issue Details: First known date: 2000... 2000 My Mob, My Self
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AbstractHistoryArchive Description

In this paper, Ruby Langford 'Ginibi' talks about the many reasons as to why she wrote her autobiography.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Strength of Us as Women : Black Women Speak Kerry Reed-Gilbert (editor), Charnwood : Ginninderra Press , 2000 Z339446 2000 anthology criticism life story poetry prose

    'If you want to know the reality of inside Black Australia, this book is for you. The women who speak within these pages allow you, the reader, to look into their hearts, minds, bodies and souls. Share with them their journey - the journey of life.' (Back cover)

    Charnwood : Ginninderra Press , 2000
    pg. 17-20

Works about this Work

BlackWords : Writers on Identity Anita Heiss , 2014 single work criticism
— Appears in: JASAL , vol. 14 no. 3 2014; The BlackWords Essays 2015; (p. 2) The BlackWords Essays 2019;

'In the 1960s Oodgeroo Noonuccal (then Kath Walker) hit the literary limelight as Australia’s first published ‘Aboriginal poet’ and since then Aboriginal writers have used their work as a form of self-definition and to defend our rights to our identity. Many authors are inspired by the need to redress historical government definitions of Aboriginality, to reclaim pride in First Nation status, to explain the diversity of Aboriginal experience, and to demonstrate the realities and complexities of ‘being Aboriginal’ in the 21st century.'

Source: Author's introduction.

BlackWords : Writers on Identity Anita Heiss , 2014 single work criticism
— Appears in: JASAL , vol. 14 no. 3 2014; The BlackWords Essays 2015; (p. 2) The BlackWords Essays 2019;

'In the 1960s Oodgeroo Noonuccal (then Kath Walker) hit the literary limelight as Australia’s first published ‘Aboriginal poet’ and since then Aboriginal writers have used their work as a form of self-definition and to defend our rights to our identity. Many authors are inspired by the need to redress historical government definitions of Aboriginality, to reclaim pride in First Nation status, to explain the diversity of Aboriginal experience, and to demonstrate the realities and complexities of ‘being Aboriginal’ in the 21st century.'

Source: Author's introduction.

Last amended 18 Feb 2014 13:22:42
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