Revusical.
Described in 1926 advertisements as a 'giddy whirl of a romantic gaiety on circus life' (Age 31 July 1926, n. pag.), many of the incidents and characters are drawn from Gerald's ten years touring the world as an acrobat and clown with Oscar Pagel's circus. One critic reports that 'there is a story, quite enough for a musical comedy and better than that of a great many musical comedies in that it supplies suitable pegs on which to hang good musical numbers, excellent dancing and the almost inimitable funny episodes introduced by the principal' (Brisbane Courier 14 March 1927, p.17). The 1922 Empire Theatre season was also enthusiastically applauded by the Brisbane Courier's theatre critic, who wrote:
As most of the scenes were enacted in what was supposed to be the circus arena, full advantage was taken of parodying in a most amusing way some of the old favourite performances of the sawdusting. Amongst them the weird and wonderful acrobatic balancing feats achieved by Jim Gerald, in conjunction with Howard Hall, and aided by a droll mechanical stage device, not too much in evidence at first, were vastly entertaining as a skit upon the same stage in recent weeks by a world famous pair of balancers (11 December 1922, p.15).
The action revolves around Gerald's character Tom Pigh, 'a detective (or "disinfectant" as he describes himself on at least one occasion) who is searching for a missing heiress but seems to be always on the on the wrong scent despite his diligent use of a notebook' (Brisbane Courier 14 Mar. 1927, p.17). Other principal roles include a determined lion tamer, a squire, and a strong man. The title of the show refers to the young lady in question turning out to be one of the circus's bare-back riders. According to a 1930 Age review, the heiress, Maisie Varney, was found as an infant by swaggering circus owner George Kingpole, and raised as a performer. The plot is further complicated by the attention paid to the young lady by a country-town squire on whose property the circus has set up its tents. 'Of course everything turns out happily,' writes the critic (14 April 1930, p.12). In its review of the 1927 Empire Theatre return season (beginning 25 June), the Brisbane Courier reports, 'That he eventually found the girl was more good luck than good management, and in his quest he was effectively helped and hindered by the other members of the company' (27 June 1927, p.15).
The 1927 return season, staged under the title More Bare Backs, was an extended version, presented as a two-and-a-half-hour musical comedy. For this version, Gerald inserted more comic business and songs.
Among the songs incorporated into the 1927 return season were 'Blackbird' (sung by Betty Lambert), 'Eyes' (Ernest Crawford), 'Washing my Lime' (Essie Jennings), 'Garden Suburb' (Jim Gerald), and 'Somebody Lonely' (Crawford and Geary). An opera burlesque was also introduced by the whole company.
1922: Fullers' Theatre, Sydney, 10-16 October.
1922: Empire Theatre, Brisbane, 9-15 December.
1923: Fullers' Theatre, Sydney, ca. February.
1924: Fullers' Theatre, Sydney, 23-28 February.
1926: Fullers' Theatre, Sydney, 20-26 February (return season: 12-18 June).
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1926: New Bijou Theatre, Melbourne, 31 July - 6 August.
1927: Empire Theatre, Brisbane, 12-18 March (return season: 25 June - 1 July, as More Bare Backs).
1927: Fullers' Theatre, Sydney, 12-18 November.
1928: Victoria Theatre, Newcastle, 1-7 December.
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1930: Tivoli Theatre, Melbourne, 12-18 April (as Circus Days).
1933: Tivoli Theatre, Sydney, 29 January - 2 February (as Circus Days).
1934 : Tivoli Theatre, Melbourne, 21-27 April.