Chu Chin Chow : A Musical Tale of the East
Frederick Norton
(composer),
London
:
Keith, Prowse and Co
,
1916
Z1318709
1916
single work
musical theatre
Musical extravaganza.
Presented in two acts, the story concerns Abu Hasan, an intrepid merchant-pirate who masquerades in various extravagant disguises (including that of a Hebrew Damascene and a Grecian prince), so that he and his forty brigands can plunder and humiliate the wealthy despots of the East, enriching Hasan's already overflowing and legendary cave. For this particular adventure, he becomes the great Chu Chin Chow of China as a means of gaining access to the palace of Kasim Baba. A secondary theme concerns the two lovely slave girls (Zahrat and Marjanah, the latter in love with Nur-Al-Hudra) who are determined to win their freedom. Zahat discovers Abu Hasan's true identity after 'Chu Chin Chow' kills Kasim, while Marjanah stumbles on the secret password for his hideout ('Open sesame'). She is then able to set in motion the opportunity they need. The women counter Chu Chin Chow's cunning with feminine guile and create the opportunity they need by bargaining with the brigand chieftain. Abu Hasan attempts to overcome their plan by attending the wedding of Marjanah and Nur disguised as a wealthy oil merchant, whose forty jars of 'oil' actually hold forty brigands. Zahat discovers both his identity and evil plans, and kills his men by pouring boiling oil over them. She then finishes the job by stabbing Abu Hasan to death.
The Saturday Review wrote of Chu Chin Chow's London closing in 1921:
'He came, like another Eastern, King David, to a good old age, full of riches and honour. But none can ever reign in his stead. There is left a gap in the life of London, and indeed of the country, which nothing can adequately fill, for Chu Chin Chow had become in truth part of the national life. Country cousins set out upon the desperate adventure of their first visit to the metropolis with the firm determination to see it come else what may. It had supplanted in their hearts the place usually reserved for the Abbey or the Tower. It had become a tradition which nothing can adequately fill' (qtd in Brisbane Courier 24 September 1921, p.13).
