The Monstrous Accent on Youth single work   essay  
Is part of The Temperament of Generations Various , 1940 sequence essay (number 3 in series)
Issue Details: First known date: 1968... 1968 The Monstrous Accent on Youth
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AbstractHistoryArchive Description

'The third part of this eleven-part series of articles. The change in the calibre of Australian students as compared to earlier times is discussed. Among successive generations of students, temperament is variable, whereas their average intellectual calibre is almost the same.'  (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Meanjin Quarterly vol. 27 no. 1 Autumn 1968 Z624480 1968 periodical issue 1968 pg. 109-10
  • Appears in:
    y separately published work icon Meanjin Anthology Sally Heath (editor), Carlton : Melbourne University Press , 2012 14208447 2012 anthology poetry short story

    'Meanjin is Australia's second oldest literary journal. Founded by Clem Christesen in 1940, it has documented both the changing concerns of Australians and the achievements of many of the nation's writers, thinkers and poets. This anthology offers a broad sweep of essays, fiction and poetry published in Meanjin since the magazine began. Readers will get a sense of the debates waged in print over those seven decades and the growing confidence of the Australian written voice.

    'The collection will interest the general reader, the literary enthusiast and those interested in Australian culture.

    'The anthology has been compiled by current Meanjin editor Sally Heath, associate editor Zora Sanders, poetry editor Judith Beveridge, Richard McGregor and Emma Fajgenbaum.'  (Publication summary)

    Carlton : Melbourne University Press , 2012
    pg. 90-91

Works about this Work

Dementia, Ageism and the Limits of Critique in Thea Astley’s Satire Ann Vickery , 2022 single work criticism
— Appears in: JASAL , December vol. 22 no. 2 2022;
Double Trouble : The Teacher/Satirist Duality in Thea Astley’s Critical Writings Kate Cantrell , Lesley Hawkes , 2019 single work criticism
— Appears in: Queensland Review , December vol. 26 no. 2 2019; (p. 218-231)

'Over a fifty-year period, from 1944 to 1994, Thea Astley published a number of critical writings, including essays, newspaper articles and reviews, and short reflections and meditations on her craft. Despite a renewed interest in Astley’s work, however, most critical interrogations of her oeuvre focus on her novels, and more recently her poetry. As a result, Astley’s critical writing has not been afforded the same breadth and depth of investigation as her fiction. This lacuna is troubling, since Astley’s critical works are important not only for their insight, but for what they reveal about Astley’s self-representation, and in particular the dual identity that she embodied as both a teacher and a satirist. This article argues that these dual roles emerge clearly in Astley’s essays and in fact are inextricable from many of her works. Further, the tensions between these two personae — Astley as teacher and Astley as satirist — reveal natural overlaps with her imaginative writing, and reflect her changing ideas about fiction writing, literature, and education.' (Publication abstract)

Double Trouble : The Teacher/Satirist Duality in Thea Astley’s Critical Writings Kate Cantrell , Lesley Hawkes , 2019 single work criticism
— Appears in: Queensland Review , December vol. 26 no. 2 2019; (p. 218-231)

'Over a fifty-year period, from 1944 to 1994, Thea Astley published a number of critical writings, including essays, newspaper articles and reviews, and short reflections and meditations on her craft. Despite a renewed interest in Astley’s work, however, most critical interrogations of her oeuvre focus on her novels, and more recently her poetry. As a result, Astley’s critical writing has not been afforded the same breadth and depth of investigation as her fiction. This lacuna is troubling, since Astley’s critical works are important not only for their insight, but for what they reveal about Astley’s self-representation, and in particular the dual identity that she embodied as both a teacher and a satirist. This article argues that these dual roles emerge clearly in Astley’s essays and in fact are inextricable from many of her works. Further, the tensions between these two personae — Astley as teacher and Astley as satirist — reveal natural overlaps with her imaginative writing, and reflect her changing ideas about fiction writing, literature, and education.' (Publication abstract)

Dementia, Ageism and the Limits of Critique in Thea Astley’s Satire Ann Vickery , 2022 single work criticism
— Appears in: JASAL , December vol. 22 no. 2 2022;
Last amended 27 Jul 2018 13:02:45
109-10 The Monstrous Accent on Youthsmall AustLit logo Meanjin Quarterly
90-91 The Monstrous Accent on Youthsmall AustLit logo
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