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'Nonna Katia, Christina and Josie are three generations of Italian-Australian women living together in a hothouse atmosphere of love, support...and drama on an operatic scale.'
Source: Screen Australia. (Sighted: 23/10/2012)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Guilt and Migrant Experience in Australia: Narratives of Happiness and HatredThomas Brami,
2023single work criticism — Appears in:
Continuum : Journal of Media and Cultural Studies,vol.
37no.
12023;(p. 46-60)'This paper investigates the role that guilt plays in Australia’s construction of its outsiders by focusing on contemporary migrant experience. I build upon Sarah Ahmed’s work on the politics of emotion to read migrant interviews in relation to media: films, political speeches, and other discursive structures that facilitate social organization in Australia. In the first part of this paper, I argue that a ‘multicultural narrative’ positions the nation as a ‘happy home,’ and examine how this can displace feelings of guilt in the migrant by rendering possible social transgressions positive steps towards attaining a greater social good. In the second section of this paper, I discuss Australia’s ‘hatred narratives.’ I do not define hatred as a necessarily aggressive emotion, but instead, demonstrate the way particular words can be affectively charged because of the histories they invoke, and show how this affect can be mobilized to create outsiders who are not welcome in the national imaginary and Australian society. These narratives however, are not fixed: political parties can appeal to tropes that have accumulated in affective value – such as the ‘home’ – in order to achieve different political goals, and to organize social groups by aligning individuals with or against affectively charged objects.' (Publication abstract)
You Ought to Be in PicturesSandy George,
2007single work criticism — Appears in:
The Australian,18 July2007;(p. 16)This article discusses the reluctance of Australian filmakers to adapt literary sources to films. Publishers and agents were invited to identify books with strong cinematic poential from their own catalogues. Five film producers decided that eleven (ten from Australia and one from Scotland) would be discussed at the 2007 Melbourne International Film Festival
Escaping History and Shame in Looking for Alibrandi, Head On and Beneath the CloudsFelicity Collins,
Therese Davis,
2004single work criticism — Appears in:
Australian Cinema after Mabo2004;(p. 152-171)In this chapter Collins and Davis analyse how the films, Looking for Alibrandi, Head On and Beneath the Clouds 'invites us to consider the relation between the past and the present .' The authors argue that the stories these films tell, regarding 'coming of age, reveal a picture of young Australians as the inheritors of a nation divided on issues of race relations, land politics, national security, and how best to deal with the shameful episodes from our colonial past.' Although these films differ in style and content they express a common 'form of teen mobility fuelled by the desire to 'escape history' ... that is symptomatic of the specific difficulties of coming of age in post-Mabo Australia.' Source : Australian Cinema after Mabo (2004).