'On a beautiful island lives a tribe of people who don’t smile or laugh much. Only a small blind urchin notices the wonderful things on the seashore. He tries to share them with the tribe, but they don’t notice. One day a sea creature comes to the shore. Together, the boy and the sea creature play in the water. The people of the tribe warn the boy that it is a monster, but they change their minds when they hear him laughing. They join in. However, afraid that the sea creature will leave and they will lose the happiness they have found, the tribe capture it and put it in a small pool. The sea creature soon begins to fade and die. The boy rescues it and the people of the tribe are left behind, wondering if they will ever be happy again.' (Publication summary)
Teacher's notes from publisher's website.
'The title of my paper and the quotation by Martha Nussbaum from which it draws both invoke the double meaning of the word disturbing. In my title, disturbing functions simultaneously as an adjective that modifies the noun thoughts and as a verb that signifies a dismantling of those thoughts. The epigraph comes from Nussbaum's discussion of compassion, which serves as the core theoretical concept that informs this essay. In an Australian context, discussions of compassion arguably circulate most overtly and publicly in relation to the Australian federal government's position on asylum seekers. Over the past ten years, no issue has divided public opinion in Australia as much as the debate concerning the treatment of asylum seekers in Australia. Two picture books entitled The Island, one written and illustrated by Armin Greder and the other written by John Heffernan and illustrated by Peter Sheehan, engage with national issues concerning the arrival of immigrants, refugees, and asylum seekers while also functioning as allegories for any situation in which a community mistreats an outsider.' (Introduction)
'The title of my paper and the quotation by Martha Nussbaum from which it draws both invoke the double meaning of the word disturbing. In my title, disturbing functions simultaneously as an adjective that modifies the noun thoughts and as a verb that signifies a dismantling of those thoughts. The epigraph comes from Nussbaum's discussion of compassion, which serves as the core theoretical concept that informs this essay. In an Australian context, discussions of compassion arguably circulate most overtly and publicly in relation to the Australian federal government's position on asylum seekers. Over the past ten years, no issue has divided public opinion in Australia as much as the debate concerning the treatment of asylum seekers in Australia. Two picture books entitled The Island, one written and illustrated by Armin Greder and the other written by John Heffernan and illustrated by Peter Sheehan, engage with national issues concerning the arrival of immigrants, refugees, and asylum seekers while also functioning as allegories for any situation in which a community mistreats an outsider.' (Introduction)
