This thesis documents a personal journey that asks the reader to consider the volatility of genres and their use value as a hierarchy and/or in the Academy. It places itself in the limitary disciplines of cultural studies, gender studies and fiction, and offers a map of a journey across disciplines. The thesis (w)rites against the grain of the patriarchal Order, and the author articulates gender as a variable in knowledge making and takes an experimental approach to the collection and analysis of data through reading and writing strategies. The use of the bracket is to make a ritual of (w)riting and a contingency of (k)now-ing. The thesis comes in three parts, all of which are interrelated. Parts one and two contain collections of the author's short stories and poetry and Part three is comprised of her correspondence. Source: Author's abstract.
