Issue Details: First known date: 2005... 2005 Songs, Dreamings and Ghosts : The Wangga of North Australia
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Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Middletown, Connecticut,
      c
      United States of America (USA),
      c
      Americas,
      :
      Wesleyan University Press ,
      2005 .
      Extent: xxiii, 292p.p.
      Description: illus., maps
      Note/s:
      • Includes bibliography, index and appendices.
      • Includes computer laser optical disc.
      ISBN: 0819566187 (pbk. : alk. paper), 0819566179 (cloth : alk. paper)

Works about this Work

[Review Essay] Songs, Dreamings, and Ghosts : The Wangga of North Australia. Timothy Rice , 2007 single work essay
— Appears in: Australian Aboriginal Studies , no. 2 2007; (p. 158-160)

'Since 1986, Allan Marett has journeyed off and on to the towns of Wadeye (Port Keats) and Belyuen in the Daly River region of northwestern Australia to learn to sing, dance to, love, and understand the deep cultural significance of an Aboriginal song genre called wangga. Wangga do many things for the Marri-tjevin, Marri-ammu, and Wadjiginy peoples who sing them. They bring together the world of the living and dead in two contexts: the giving of songs by the ancestors in the dreams of songmen, and mortuary and circumcision ceremonies. For the first two groups, they are exchanged in ceremonies with two other groups, the owners of the song genres lirrga and dhanba, in a reciprocal social arrangement, invented in the 1950s, that keeps peace among these three groups. They connect the singers to the land and to the Dreamings that gave birth to the land. They create a sense of social solidarity among the Marri-tjevin when sung and danced in vigorous unison during ceremonies. Finally, they are a source of aesthetic enjoyment and creativity in the moment of their performance,' (Introduction)

Untitled Michael Jackson , 2006 single work review
— Appears in: Journal of Folklore Research , May-August vol. 43 no. 2 2006; (p. 187-88)

— Review of Songs, Dreamings and Ghosts : The Wangga of North Australia Allan Marett , 2005 single work criticism
Haunting Songs of Life and Death Reveal a Fading World Nicolas Rothwell , 2006 single work review
— Appears in: The Weekend Australian , 18-19 February 2006; (p. 12-13)

— Review of Songs, Dreamings and Ghosts : The Wangga of North Australia Allan Marett , 2005 single work criticism
Haunting Songs of Life and Death Reveal a Fading World Nicolas Rothwell , 2006 single work review
— Appears in: The Weekend Australian , 18-19 February 2006; (p. 12-13)

— Review of Songs, Dreamings and Ghosts : The Wangga of North Australia Allan Marett , 2005 single work criticism
Untitled Michael Jackson , 2006 single work review
— Appears in: Journal of Folklore Research , May-August vol. 43 no. 2 2006; (p. 187-88)

— Review of Songs, Dreamings and Ghosts : The Wangga of North Australia Allan Marett , 2005 single work criticism
[Review Essay] Songs, Dreamings, and Ghosts : The Wangga of North Australia. Timothy Rice , 2007 single work essay
— Appears in: Australian Aboriginal Studies , no. 2 2007; (p. 158-160)

'Since 1986, Allan Marett has journeyed off and on to the towns of Wadeye (Port Keats) and Belyuen in the Daly River region of northwestern Australia to learn to sing, dance to, love, and understand the deep cultural significance of an Aboriginal song genre called wangga. Wangga do many things for the Marri-tjevin, Marri-ammu, and Wadjiginy peoples who sing them. They bring together the world of the living and dead in two contexts: the giving of songs by the ancestors in the dreams of songmen, and mortuary and circumcision ceremonies. For the first two groups, they are exchanged in ceremonies with two other groups, the owners of the song genres lirrga and dhanba, in a reciprocal social arrangement, invented in the 1950s, that keeps peace among these three groups. They connect the singers to the land and to the Dreamings that gave birth to the land. They create a sense of social solidarity among the Marri-tjevin when sung and danced in vigorous unison during ceremonies. Finally, they are a source of aesthetic enjoyment and creativity in the moment of their performance,' (Introduction)

Last amended 19 Mar 2011 16:34:48
Subjects:
  • Cox Penininsula, Top End, Northern Territory,
  • Daly River - Wadeye area, Top End, Northern Territory,
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