Wallace collectively views three of Lawrence's 1920s novels: Aaron's Rod, Kangaroo and The Plumed Serpent. He suggests that they 'represent a departure or leave-taking from the illusionist conventions of the realist novel to which, despite marked stylistic-modernistic idiosynracies, Lawrence's earlier fiction had adhered ... In each case the exiled, nomadic protagonist finds in an alternative culture - Italy, Australia, Mexico - a context in which to cease to care about conventional human values, to lapse into a state of isolation or, in the key word of Kangaroo, "indifference".'