'In the 1960s Oodgeroo Noonuccal (then Kath Walker) hit the literary limelight as Australia’s first published ‘Aboriginal poet’ and since then Aboriginal writers have used their work as a form of self-definition and to defend our rights to our identity. Many authors are inspired by the need to redress historical government definitions of Aboriginality, to reclaim pride in First Nation status, to explain the diversity of Aboriginal experience, and to demonstrate the realities and complexities of ‘being Aboriginal’ in the 21st century.'
Source: Author's introduction.
'This essay explores how some recent Aboriginal and Torres Strait Islander authored titles have used local languages and personal histories - including complex stories which deal with the Stolen Generations - to engage and educate young Australian readers, while providing much needed inspiration to nurture Indigenous audiences.' (Source: Heiss, Anita, Aboriginal Literature for Children: More Than Just Pretty Pictures, 2015)
'This essay explores how some recent Aboriginal and Torres Strait Islander authored titles have used local languages and personal histories - including complex stories which deal with the Stolen Generations - to engage and educate young Australian readers, while providing much needed inspiration to nurture Indigenous audiences.' (Source: Heiss, Anita, Aboriginal Literature for Children: More Than Just Pretty Pictures, 2015)
'In the 1960s Oodgeroo Noonuccal (then Kath Walker) hit the literary limelight as Australia’s first published ‘Aboriginal poet’ and since then Aboriginal writers have used their work as a form of self-definition and to defend our rights to our identity. Many authors are inspired by the need to redress historical government definitions of Aboriginality, to reclaim pride in First Nation status, to explain the diversity of Aboriginal experience, and to demonstrate the realities and complexities of ‘being Aboriginal’ in the 21st century.'
Source: Author's introduction.
