Reflecting on the relationship between life and art, the author compares My Life as a Fake with literary monster stories and literary hoaxes (such as Mary Shelley's Frankenstein or the Ern Malley affair). He argues that life-as-a-fake 'is constructed for us all by our culture' (p.49), and that Carey's novel constitutes a 'supplementaion' rather than a 'replacement' of life/reality.