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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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y
Barrie Kosky on the Contemporary Australian Stage
Barrie Kosky on the Contemporary Australian Stage : Affect, Post-Tragedy, Emergency
London
:
Routledge
,
2021
22593957
2021
multi chapter work
criticism
'This is the first book-length study of Australian theatre productions by internationally-renowned director, Barrie Kosky.
'Now a prolific opera director in Europe, Barrie Kosky on the Contemporary Australian Stage accounts for the formative years of Kosky's career in Australia. This book provides in-depth engagements with select productions including The Dybbuk which Kosky directed with Gilgul theatre company in 1991, as well as King Lear (1998), The Lost Echo (2006), and Women of Troy (2008).
'Using affect theory as a prism through which these works are analysed, the book accounts for the director's particular engagement with - and radical departure from - classical tragedy in contemporary performance: what the book defines as Kosky's 'post-tragedies'. Theatre studies scholars and students, particularly those with interests in affect, contemporary performance, 'director's theatre', and tragedy, will benefit from Barrie Kosky on the Contemporary Australian Stage's vivid engagement with Kosky's work: a director who has become a singular figure in opera and theatre of international critical acclaim.' (Publication summary)
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Kosky's Dybbuk Takes All - Mind, Body and Soul
1993
single work
review
— Appears in: The Sydney Morning Herald , 5 November 1993; (p. 15)
— Review of The Dybbuk 1993 single work drama -
The Dybbuk According to Kosky
1993
single work
review
— Appears in: The Australian Jewish News (News/Views) , 12 November vol. 60 no. 9 1993;
— Review of The Dybbuk 1993 single work drama -
The Dybbuk According to Kosky
1993
single work
review
— Appears in: The Australian Jewish News (News/Views) , 12 November vol. 60 no. 9 1993;
— Review of The Dybbuk 1993 single work drama
-
The Dybbuk According to Kosky
1993
single work
review
— Appears in: The Australian Jewish News (News/Views) , 12 November vol. 60 no. 9 1993;
— Review of The Dybbuk 1993 single work drama -
Kosky's Dybbuk Takes All - Mind, Body and Soul
1993
single work
review
— Appears in: The Sydney Morning Herald , 5 November 1993; (p. 15)
— Review of The Dybbuk 1993 single work drama -
The Dybbuk According to Kosky
1993
single work
review
— Appears in: The Australian Jewish News (News/Views) , 12 November vol. 60 no. 9 1993;
— Review of The Dybbuk 1993 single work drama -
y
Barrie Kosky on the Contemporary Australian Stage
Barrie Kosky on the Contemporary Australian Stage : Affect, Post-Tragedy, Emergency
London
:
Routledge
,
2021
22593957
2021
multi chapter work
criticism
'This is the first book-length study of Australian theatre productions by internationally-renowned director, Barrie Kosky.
'Now a prolific opera director in Europe, Barrie Kosky on the Contemporary Australian Stage accounts for the formative years of Kosky's career in Australia. This book provides in-depth engagements with select productions including The Dybbuk which Kosky directed with Gilgul theatre company in 1991, as well as King Lear (1998), The Lost Echo (2006), and Women of Troy (2008).
'Using affect theory as a prism through which these works are analysed, the book accounts for the director's particular engagement with - and radical departure from - classical tragedy in contemporary performance: what the book defines as Kosky's 'post-tragedies'. Theatre studies scholars and students, particularly those with interests in affect, contemporary performance, 'director's theatre', and tragedy, will benefit from Barrie Kosky on the Contemporary Australian Stage's vivid engagement with Kosky's work: a director who has become a singular figure in opera and theatre of international critical acclaim.' (Publication summary)
