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'Based on Elliot Perlman's award-winning novel, THREE DOLLARS tells the story of an honest, compassionate man who finds himself, at the age of 38, with a wife, a child and three dollars.'
Source: Screen Australia. (Sighted: 16/12/2013)
Notes
Screenplay by Robert Connolly and Elliot Perlman; based on the novel Three Dollars by Elliot Perlman.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Disrespectful Indigenisation : The Films of Robert ConnollyMatthew Campora,
2013single work criticism — Appears in:
Senses of Cinema,December
no.
692013;'In this article, I will examine the work of contemporary Australian filmmaker Robert Connolly (b. 1967), a director who could be considered amongst the most successful contemporary filmmakers working in Australia today. While many of his colleagues have struggled to make their second (or even first) feature film, Connolly, in his various roles, has made a feature roughly every other year since graduating from the Australian Film Television and Radio School in the late 1990s. To date, he has written and directed four feature films, produced nearly a dozen others, worked on such quality television series as The Slap (2011), written and directed a made-for-television-movie, and produced the epic film adaptation of Tim Winton’s short story collection The Turning (2013). His track record in the contemporary industry makes him a significant case study, and as a means of introducing this analysis, I want to briefly consider Graeme Turner’s 1994 article “Whatever Happened to National Identity? Film and Nation in the 1990s” to help situate Connolly’s work in the context of Australian cinema and the narrative trends of recent decades.' (Author's Introduction)
Seeking Words of WisdomMargaret Pomeranz,
2005single work criticism — Appears in:
Limelight,May2005;(p. 40-43)Writers Andrew Bovell and Louis Nowra discuss the factors that contribute to a good screenplay. Actor David Wenham also discusses the adaptation of Elliot Perlman's Three Dollars.
Three Dollars, Six DegreesTim Clark,
2005single work criticism — Appears in:
Meanjin,vol.
64no.
32005;(p. 186-191)Tim Clark explores the way some Australian filmmakers try to avoid emotionally unsatisfying endings to films, because they are wary of alienating audiences. Two films are discussed here: Robert Connolly's cinematic adaptation of Elliot Perlman's novel Three Dollars and Fred Schepisi's adaptation of John Guare's Broardway play, Six Degrees of Separation.