y separately published work icon Lode Rust : A Subterranean Journey in Poetry and Etchings selected work   poetry  
Issue Details: First known date: 2004... 2004 Lode Rust : A Subterranean Journey in Poetry and Etchings
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Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Kew, Camberwell - Kew area, Melbourne - Inner South, Melbourne, Victoria,: Gita Mammen , 2004 .
      Extent: 27p.
      Description: illus.
      Note/s:
      • A book of poetry and etchings by the author on Fabriano Roma paper. Sugarlift, aquatint and line etching and set of 13 images on 18 copper plates. Hand sewn and bound, cloth on card.
      ISBN: 0975697803
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Works about this Work

Inanna of the Storms Gita Mammen , 2011 single work criticism
— Appears in: Refashioning Myth : Poetic Transformations and Metamorphoses 2011; (p. 119-120) '...Eleni Rivers and Gita Mammen—remind us how mythology and poetry are interminably linked with the visual arts, and indeed with the trials of everyday experience. Rivers's preoccupation with botanical forms explores an elemental concern at the heart of myth: the natural cycle. By situating herself in relation to the rhythms of nature (germination of seeds, growth, decay, and fertilisation), Rivers explores the role of the artist in the cycles which give birth to myth. Mammen's juxtaposition of visual art and poetry in "Inanna of the Storms" revisits some of the oldest myths known—those of Mesopotamia and Ancient Sumer—but in doing so, sheds light on such contemporary concerns as "water shortages and war, spirituality and love."' (Source: Introduction pp. 3-4)
Inanna of the Storms Gita Mammen , 2011 single work criticism
— Appears in: Refashioning Myth : Poetic Transformations and Metamorphoses 2011; (p. 119-120) '...Eleni Rivers and Gita Mammen—remind us how mythology and poetry are interminably linked with the visual arts, and indeed with the trials of everyday experience. Rivers's preoccupation with botanical forms explores an elemental concern at the heart of myth: the natural cycle. By situating herself in relation to the rhythms of nature (germination of seeds, growth, decay, and fertilisation), Rivers explores the role of the artist in the cycles which give birth to myth. Mammen's juxtaposition of visual art and poetry in "Inanna of the Storms" revisits some of the oldest myths known—those of Mesopotamia and Ancient Sumer—but in doing so, sheds light on such contemporary concerns as "water shortages and war, spirituality and love."' (Source: Introduction pp. 3-4)
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Last amended 21 Apr 2005 15:30:18
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