y separately published work icon Private Dicks and Feisty Chicks : An Interrogation of Crime Fiction single work   criticism  
Issue Details: First known date: 2004... 2004 Private Dicks and Feisty Chicks : An Interrogation of Crime Fiction
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AbstractHistoryArchive Description

Written in the first person through the eyes of a crime writer, this is a fresh exploration of the ideas and theories that underpin crime fiction.

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Works about this Work

Detective Fiction and the Critical-creative Nexus Jesper Gulddal , Alistair Rolls , 2016 single work criticism
— Appears in: TEXT Special Issue Website Series , October no. 37 2016;
Writing a Murderous Mother : A Case Study on the Critical Applications of Creative Writing Research to Crime Fiction Carolyn Beasley , 2016 single work criticism
— Appears in: TEXT Special Issue Website Series , October no. 37 2016; 'Creative writing research offers a unique opportunity to draw together threads of inquiry from the realms of the creative, the practical and the critical (Kroll and Harper 2013). This article explores a writer’s interrogation of this process and how it was applied to creating representations of a murderous mother in a crime fiction narrative. Crime fiction provides a natural space for intersections of the creative, practical and critical due to the genre’s tendency towards social critique (Moore 2006) and the opportunity it offers to question the representations and cultural assumptions that surround us. This article aims to unpack these intersections and ask how common representations of the murderous mother can be deconstructed, challenged and repositioned through first separating, and then realigning, critical and creative processes. (Publication abstract)'
Of Confessions and Guilty Pleasures Sue Turnbull , 2005 single work review
— Appears in: The Age , 9 April 2005; (p. 4)
— Review of Private Dicks and Feisty Chicks : An Interrogation of Crime Fiction Catherine Cole , 2004 single work criticism
In Short : Non-Fiction Bruce Elder , 2005 single work review
— Appears in: The Sydney Morning Herald , 12-13 February 2005; (p. 13)
— Review of Private Dicks and Feisty Chicks : An Interrogation of Crime Fiction Catherine Cole , 2004 single work criticism ; A Month of Sundays : How to Go Travelling Without Leaving Town James O'Loghlin , 2004 single work autobiography ; A Life by Design : The Art and Lives of Florence Broadhurst Siobhan O'Brien , 2004 single work biography
Untitled Diane Carlyle , Nick Walker , 2005 single work review
— Appears in: The Australian , 5 January 2005; (p. 27)
— Review of Private Dicks and Feisty Chicks : An Interrogation of Crime Fiction Catherine Cole , 2004 single work criticism
Untitled Diane Carlyle , Nick Walker , 2005 single work review
— Appears in: The Australian , 5 January 2005; (p. 27)
— Review of Private Dicks and Feisty Chicks : An Interrogation of Crime Fiction Catherine Cole , 2004 single work criticism
In Short : Non-Fiction Bruce Elder , 2005 single work review
— Appears in: The Sydney Morning Herald , 12-13 February 2005; (p. 13)
— Review of Private Dicks and Feisty Chicks : An Interrogation of Crime Fiction Catherine Cole , 2004 single work criticism ; A Month of Sundays : How to Go Travelling Without Leaving Town James O'Loghlin , 2004 single work autobiography ; A Life by Design : The Art and Lives of Florence Broadhurst Siobhan O'Brien , 2004 single work biography
Of Confessions and Guilty Pleasures Sue Turnbull , 2005 single work review
— Appears in: The Age , 9 April 2005; (p. 4)
— Review of Private Dicks and Feisty Chicks : An Interrogation of Crime Fiction Catherine Cole , 2004 single work criticism
Writing a Murderous Mother : A Case Study on the Critical Applications of Creative Writing Research to Crime Fiction Carolyn Beasley , 2016 single work criticism
— Appears in: TEXT Special Issue Website Series , October no. 37 2016; 'Creative writing research offers a unique opportunity to draw together threads of inquiry from the realms of the creative, the practical and the critical (Kroll and Harper 2013). This article explores a writer’s interrogation of this process and how it was applied to creating representations of a murderous mother in a crime fiction narrative. Crime fiction provides a natural space for intersections of the creative, practical and critical due to the genre’s tendency towards social critique (Moore 2006) and the opportunity it offers to question the representations and cultural assumptions that surround us. This article aims to unpack these intersections and ask how common representations of the murderous mother can be deconstructed, challenged and repositioned through first separating, and then realigning, critical and creative processes. (Publication abstract)'
Detective Fiction and the Critical-creative Nexus Jesper Gulddal , Alistair Rolls , 2016 single work criticism
— Appears in: TEXT Special Issue Website Series , October no. 37 2016;
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