Discordant Tones single work   review  
Issue Details: First known date: 2004... 2004 Discordant Tones
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Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Beyond Imagining : Notions of Transcendence in Judith Beveridge's "Between the Palace and the Bodhi Tree" Michael Heald , 2011 single work criticism
— Appears in: Refashioning Myth : Poetic Transformations and Metamorphoses 2011; (p. 121-138)
'In his analysis of Judith Beveridge's poetry, Mike Heald contrasts poetic and philosophical engagements with Buddhism, arguing that "the imagination produces a conception of transcendence very different from that found in the meditative tradition," with the effect that in Beveridge's Siddhattha, the reader encounters "a figure who bodies forth the ineluctable suffering of the human condition, and thus the perennial elusiveness and implausibility of transcendence, rather than one who embodies the promise and indeed successful realisation of transcendence." This appears to be an occasion in which affect-driven literature diverges substantially from philosophical myth narratives, albeit in a complementary rather than a mutually exclusive manner.' (Source: Introduction p. 4)
Beyond Imagining : Notions of Transcendence in Judith Beveridge's "Between the Palace and the Bodhi Tree" Michael Heald , 2011 single work criticism
— Appears in: Refashioning Myth : Poetic Transformations and Metamorphoses 2011; (p. 121-138)
'In his analysis of Judith Beveridge's poetry, Mike Heald contrasts poetic and philosophical engagements with Buddhism, arguing that "the imagination produces a conception of transcendence very different from that found in the meditative tradition," with the effect that in Beveridge's Siddhattha, the reader encounters "a figure who bodies forth the ineluctable suffering of the human condition, and thus the perennial elusiveness and implausibility of transcendence, rather than one who embodies the promise and indeed successful realisation of transcendence." This appears to be an occasion in which affect-driven literature diverges substantially from philosophical myth narratives, albeit in a complementary rather than a mutually exclusive manner.' (Source: Introduction p. 4)
Last amended 7 Sep 2004 13:49:01
http://nla.gov.au/nla.arc-23485-20040820-emsah.uq.edu.au/awsr/awbr/issues/137/index.html Discordant Tonessmall AustLit logo Australian Women's Book Review
Review of:
  • Wolf Notes Judith Beveridge 2003 selected work poetry
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