Melting Pot single work   autobiography  
Issue Details: First known date: 2004... 2004 Melting Pot
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Life Writing vol. 1 no. 1 2004 Z1135794 2004 periodical issue 2004 pg. 155-164

Works about this Work

The Role of Colour and 'Ethnic' Autobiography : Fanon, Capecia and Difference Maureen Perkins , 2005 single work criticism
— Appears in: Auto/Biography , April vol. 13 no. 1 2005; (p. 1-15)
'This paper argues that in many recent life narratives a new openness about the part played by colour undermines what have historically been the fixed essentialisms of race. In particular, memoirs that acknowledge difference and division amongst people 'of colour' (such as the fierce criticism by Frantz Fanon of Mayotte Capecia's autobiography) highlight the complexities of racialized categories, and problematize the nexus between 'race' and 'ethnicity'. Analysis of the genre of 'ethnic' autobiography has until recently been largely dominated by American scholars, whose understanding of black-white positions has been premised on homogenous racial identities, which have taken for granted that 'ethnicity' implies 'minority' or coloured status, neglecting discussion of white as a colour. As 'inbetween' and alternative colour positions make their voices heard, and those for whom colour/race is in some sense at odds with culture/ethnicity, it is necessary to rethink the role of 'ethnic' autobiography, to reconceptualize the role of colour within it, and perhaps to reject its usefulness as a category altogether.' -- Publication abstract.
The Role of Colour and 'Ethnic' Autobiography : Fanon, Capecia and Difference Maureen Perkins , 2005 single work criticism
— Appears in: Auto/Biography , April vol. 13 no. 1 2005; (p. 1-15)
'This paper argues that in many recent life narratives a new openness about the part played by colour undermines what have historically been the fixed essentialisms of race. In particular, memoirs that acknowledge difference and division amongst people 'of colour' (such as the fierce criticism by Frantz Fanon of Mayotte Capecia's autobiography) highlight the complexities of racialized categories, and problematize the nexus between 'race' and 'ethnicity'. Analysis of the genre of 'ethnic' autobiography has until recently been largely dominated by American scholars, whose understanding of black-white positions has been premised on homogenous racial identities, which have taken for granted that 'ethnicity' implies 'minority' or coloured status, neglecting discussion of white as a colour. As 'inbetween' and alternative colour positions make their voices heard, and those for whom colour/race is in some sense at odds with culture/ethnicity, it is necessary to rethink the role of 'ethnic' autobiography, to reconceptualize the role of colour within it, and perhaps to reject its usefulness as a category altogether.' -- Publication abstract.
Last amended 10 Aug 2004 16:39:55
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