'What can poetry do for us these days? It’s not in the business of swaying the masses; indeed, as Peter Porter has ever so gracefully put it, “Poetry is one of the few arts which is not menaced by not having an audience.” Yet it somehow retains an almost popular role in bearing witness to human decency. Yes, poetry produces some of the durable vessels which are brimming with hope. Such concepts as humanity and humanism have been cast aside in recent times like tattered banners, outmoded ensigns. Given that climate, it is a joy to encounter some book that is everywhere imbued with a humane spirit, a book that combines alert intelligence with decency and warmth. As the writer in question, the Melbourne poet Joyce Lee says about her artistic heritage, “Old now, I treasure what was given to me, perhaps in riddles”. But as we read them we find that her poems always strive to make such riddles come clear. In this she may be seen as a traditionalist, which is no bad thing.' (Introduction)
'What can poetry do for us these days? It’s not in the business of swaying the masses; indeed, as Peter Porter has ever so gracefully put it, “Poetry is one of the few arts which is not menaced by not having an audience.” Yet it somehow retains an almost popular role in bearing witness to human decency. Yes, poetry produces some of the durable vessels which are brimming with hope. Such concepts as humanity and humanism have been cast aside in recent times like tattered banners, outmoded ensigns. Given that climate, it is a joy to encounter some book that is everywhere imbued with a humane spirit, a book that combines alert intelligence with decency and warmth. As the writer in question, the Melbourne poet Joyce Lee says about her artistic heritage, “Old now, I treasure what was given to me, perhaps in riddles”. But as we read them we find that her poems always strive to make such riddles come clear. In this she may be seen as a traditionalist, which is no bad thing.' (Introduction)
'What can poetry do for us these days? It’s not in the business of swaying the masses; indeed, as Peter Porter has ever so gracefully put it, “Poetry is one of the few arts which is not menaced by not having an audience.” Yet it somehow retains an almost popular role in bearing witness to human decency. Yes, poetry produces some of the durable vessels which are brimming with hope. Such concepts as humanity and humanism have been cast aside in recent times like tattered banners, outmoded ensigns. Given that climate, it is a joy to encounter some book that is everywhere imbued with a humane spirit, a book that combines alert intelligence with decency and warmth. As the writer in question, the Melbourne poet Joyce Lee says about her artistic heritage, “Old now, I treasure what was given to me, perhaps in riddles”. But as we read them we find that her poems always strive to make such riddles come clear. In this she may be seen as a traditionalist, which is no bad thing.' (Introduction)