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The author 'shows how earlier anthropological discourses have embedded 'determinist perceptions of authenticity' in contemporary art critical practice,' and looks at 'the politics of intercultural appropriation and the 'hidden undercurrent of dialogue between artists and cultures' that has been problematically 'polarised by centre/periphery models'.' ( Blacklines , p.11-12)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 10 Nov 2009 11:11:31
97-103
Seeing and Seaming : Contemporary Aboriginal Art
