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The article examines what Malouf sees in music, and 'how this relates to his engagement with the conspicuously silent textual space of the opera libretto'. It is particularly concerned with 'two recent collaborations with the English composer, Michael Berkeley, both of which tendentiously retell founding expressions of English colonial discourse'. The author's aim is 'to use Malouf's aesthetic of music as the starting-point for a generically-informed identification of a quite particular postcolonial voice at work in these two texts' (p.5).
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Last amended 23 Oct 2003 11:46:11
Subjects:
- An die Musik 1980 single work poetry
- Baa Baa Black Sheep : A Jungle Tale 1993 single work musical theatre
- Jane Eyre 2000 single work musical theatre
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