y separately published work icon The Outside Story single work   novel   mystery  
Issue Details: First known date: 2003... 2003 The Outside Story
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Notes

  • Dedication: For Jeannine, Julian and Sam
  • Epigraph: As soon as we identify something as broken, we become detectives of its history - The Projective Cast: Architecture and its Three Geometries - Robin Evans
  • Epigraph: L'oeuvre n'est pas pour l'auteur, mais l'auteur est pour l'oeuvre. The work is not for the maker, but the maker for the work - Jean-Luc Godard

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

The Hedonistic Modernity of Sydney in They’re a Weird Mob Felicity Collins , 2006 single work criticism
— Appears in: Senses of Cinema , July - September no. 40 2006;
'This essay returns to a landmark British-Australian co-production in order to think about how cinema might be involved in the way we remember a city, in this case the antipodal, Alice-in-Wonderland city of Sydney. Much of this interest is prompted by the ongoing popularity and influence of They're a Weird Mob (Michael Powell, 1966).' (Introduction)
Response to Martin Thomas Sylvia Lawson , 2004 single work correspondence
— Appears in: Overland , Spring no. 176 2004; (p. 4)
That 'Lost and Might Have Been' Building Martin Thomas , 2004 single work review
— Appears in: Overland , Winter no. 175 2004; (p. 97-98)

— Review of The Outside Story Sylvia Lawson , 2003 single work novel
And Then There's Desire... : This Is How I Became an Accidental Novelist Sylvia Lawson , 2004 single work essay
— Appears in: Australian Author , April vol. 36 no. 1 2004; (p. 6-7)
Culture Crime Re-Staged Michael Sharkey , 2003 single work review
— Appears in: The Weekend Australian , 22-23 November 2003; (p. 12)

— Review of The Outside Story Sylvia Lawson , 2003 single work novel ; Channelling Henry Bruce L. Russell , 2003 single work novel
Operatic Dimensions Dorothy Johnston , 2003 single work review
— Appears in: The Sydney Morning Herald , 18-19 October 2003; (p. 15)

— Review of The Outside Story Sylvia Lawson , 2003 single work novel
Daring View of Opera House's Turbulent Past Bronwyn Rivers , 2003 single work review
— Appears in: The Age , 18 October 2003; (p. 4)

— Review of The Outside Story Sylvia Lawson , 2003 single work novel
Past Imperfect Catharine Lumby , 2003 single work review
— Appears in: The Bulletin , 11 November vol. 121 no. 6398 2003; (p. 68)

— Review of The Outside Story Sylvia Lawson , 2003 single work novel
Utzon's Outside Don Anderson , 2003 single work review
— Appears in: Australian Book Review , November no. 256 2003; (p. 51)

— Review of The Outside Story Sylvia Lawson , 2003 single work novel
Culture Crime Re-Staged Michael Sharkey , 2003 single work review
— Appears in: The Weekend Australian , 22-23 November 2003; (p. 12)

— Review of The Outside Story Sylvia Lawson , 2003 single work novel ; Channelling Henry Bruce L. Russell , 2003 single work novel
And Then There's Desire... : This Is How I Became an Accidental Novelist Sylvia Lawson , 2004 single work essay
— Appears in: Australian Author , April vol. 36 no. 1 2004; (p. 6-7)
Response to Martin Thomas Sylvia Lawson , 2004 single work correspondence
— Appears in: Overland , Spring no. 176 2004; (p. 4)
The Hedonistic Modernity of Sydney in They’re a Weird Mob Felicity Collins , 2006 single work criticism
— Appears in: Senses of Cinema , July - September no. 40 2006;
'This essay returns to a landmark British-Australian co-production in order to think about how cinema might be involved in the way we remember a city, in this case the antipodal, Alice-in-Wonderland city of Sydney. Much of this interest is prompted by the ongoing popularity and influence of They're a Weird Mob (Michael Powell, 1966).' (Introduction)
Last amended 12 Nov 2003 17:49:24
Settings:
  • Sydney, New South Wales,
  • 1990s
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