image of person or book cover 6088123082093119001.jpg
This image has been sourced from online.
y separately published work icon Croire en L'Incroyable single work   prose  
Alternative title: To believe in the unbelievable; Belief in the Unbelievable
Issue Details: First known date: 2000... 2000 Croire en L'Incroyable
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Australienne d'origine aborigène, l'écrivain Alexis Wright rend hommage à la mémoire de son peuple et au passé tragique de ses ancêtres. Sa terre est un espace de spiritualité où dansent les esprits, la terre d'un peuple que l'intolérance a failli anéantir et sur lequel pèsent toujours de sérieuses menaces.' (Source: Decitre website)

English translation:

'An Australian of Aboriginal origin, the writer Alexis Wright pays tribute to the memory of her people and to the tragic past of her ancestors. Her land is a spiritual space where the spirits dance, the land of a people who were nearly annihilated by intolerance and who continue today to be at risk.' (English translation by Maelle Farquhar, 2013)

Notes

  • Not published in English. (Communication from the author.)
  • English translation of the title: Belief in the Unbelievable.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Language: French
    • Arles,
      c
      France,
      c
      Western Europe, Europe,
      :
      Actes Sud ,
      2000 .
      image of person or book cover 6088123082093119001.jpg
      This image has been sourced from online.
      Extent: 48p.
      Description: illus.
      Note/s:
      • Translated from the original English by Sabine Porte.
      • Published 9 November 2000
      • more information from Sauramps .com website see http://www.sauramps.com/croire-en-l-incroyable-972121.html
      ISBN: 2742731202, 9782742731206
      Series: y separately published work icon Souffle de l'esprit Actes Sud (publisher), 2000- Z1402538 2000 series - publisher

Works about this Work

"In My Mind I See Cross-Roads for Everything I Believe In" : The Way Home in Alexis Wright's Croire En L'incroyable (Believe in the Unbelievable) and Le Pacte Du Serpent Arc-en-ciel Estelle Castro-Koshy , Philippe Guerre , 2019 single work criticism
— Appears in: Antipodes , June vol. 33 no. 1 2019; (p. 79-91)
'The idea of crossroads opens up the idea of horizons pregnant with hope and reviviscence. It points toward the possibility of a life that is dynamic and not solely defined by inflicted wounds and forced separations. Conceptualizing and firmly believing in crossroads as a metaphor for thinking and for nostalgia is not easy. Undertaking this difficult task, however, opens up possibilities to move from painful memories into action, to refuse the unacceptable, and to counter discourses arguing that the ancient (the past, the ever-present immemorial) has been erased or does not matter. Different directions, points of departures, and possible routes indeed emerge when observing crossroads.' (Introduction)
"In My Mind I See Cross-Roads for Everything I Believe In" : The Way Home in Alexis Wright's Croire En L'incroyable (Believe in the Unbelievable) and Le Pacte Du Serpent Arc-en-ciel Estelle Castro-Koshy , Philippe Guerre , 2019 single work criticism
— Appears in: Antipodes , June vol. 33 no. 1 2019; (p. 79-91)
'The idea of crossroads opens up the idea of horizons pregnant with hope and reviviscence. It points toward the possibility of a life that is dynamic and not solely defined by inflicted wounds and forced separations. Conceptualizing and firmly believing in crossroads as a metaphor for thinking and for nostalgia is not easy. Undertaking this difficult task, however, opens up possibilities to move from painful memories into action, to refuse the unacceptable, and to counter discourses arguing that the ancient (the past, the ever-present immemorial) has been erased or does not matter. Different directions, points of departures, and possible routes indeed emerge when observing crossroads.' (Introduction)
Last amended 3 Jun 2015 09:42:33
X