Cirrus@Austlit

'This book explores the inter-relationship of disability and trauma in the Mad Maxfilms (1979-2015). George Miller’s long-running series is replete with narratives and imagery of trauma, both physical and emotional, along with major and minor characters who are prominently disabled. The Mad Max movies foreground representations of the body – in devastating injury and its lasting effects – and in the broader social and historical contexts of trauma, disability, gender and myth.

'Over the franchise’s four-decade span significant social and cultural change has occurred globally. Many of the images of disability and trauma central to Max’s post-apocalyptic wasteland can be seen to represent these societal shifts, incorporating both decline and rejuvenation. These shifts include concerns with social, economic and political disintegration under late capitalism, projections of survival after nuclear war, and the impact of anthropogenic climate change.

'Drawing on screen production processes, textual analysis and reception studies this book interrogates the role of these representations of disability, trauma, gender and myth to offer an in-depth cultural analysis of the social critiques evident within the fantasies of Mad Max.'

Source: Publisher's blurb.

'The Australian landscape has a long Gothic history, as Gerry Turcotte writes: “long before the fact of Australia was ever confirmed by explorers and cartographers it had already been imagined as a grotesque space, a land peopled by monsters” (10). This grotesque space is brought into focus through the films, the graphic novel, and the videogame of the Mad Max franchise and transposed onto this landscape are survivors and remnants of society, many of whom are coded as disabled. These characters are set against the omnipresent Australian landscape, an unwelcoming land that opposes their very existence, yet whose presence compliments it. This paper will focus on the literary understanding of disability to explore the preponderance of physical differences in the Mad Max franchise. It will focus primarily on the latest releases, dealing with the Fury Road portion of the series, where living with physical impairment is a banal reality. This paper will ask whether the Gothic landscape of the Australian Outback in Mad Max codes the characters as disabled, or whether it is the able bodied characters that are outside the norm, as well as considering the positive (or negative) implications of representations of disability in the franchise.'

Source: Publisher's blurb.

Kennedy Miller has been located in Sydney since the early 1980s, when its reputation as Australia’s most successful production house was established. But its origins and trajectory as a company are intimately tied to Melbourne. Drawing on textual, historical, and archival sources, I argue that Melbourne’s screen culture and industry at the time of the Australian film revival played a fundamental key role in shaping the abilities and sensibilities of the company’s founders, George Miller and Byron Kennedy.