Olubas examines the way in which Caribbean writer Wilson Harris's 'account of national traditions and of the national and cultural provenances and imaginitive inheritances of particular writers directs attention ... toward broader, unexpected imaginitive, aesthetic and representational traditions, explicitly colonial, often violent, which yet enhance our readings of the complex high points of national literary traditions and figures ... [and] presents us with other ways to take up the relations between texts, within as well as across (national) cultural traditions' (p. 88).