'On a cliff overlooking a scenic lake and city skyline rises an elegant glass confection that is home to the best restaurant in town—The Point. Here, in lamp-lit art deco splendor, the city's elite come to dine on the delicious concoctions of its celebrated chef. Nearby, in a ferry shelter that no ferry has ever visited, Clovis, an elderly homeless man befriends Gwenyth, a young heroin addict. Clovis and Gwenyth are not part of life inside the posh restaurant—until a man is brutally murdered and the paths of the "haves" and the "have-nots" cross. This entrancing book goes much deeper than surface perceptions, revealing the complexities of human relationships.'
Source: Publisher's blurb.
The Limestone Plains is the name given by British explorers in the 1820s to the area in the Southern Highlands of New South Wales, where the city of Canberra would later be built. Watered by the Molonglo, a tributary of the Murrumbidgee, and ringed by wooded hills, this area was a significant meeting place of several Aboriginal tribes, whose fire-stick farming practices had shaped its flora and fauna over the millennia. In the nineteenth century, the Canberra area provided a living for pastoralists and selectors, whose activities altered the local ecology and had a devastating impact on Indigenous people. The city that was founded on the Limestone Plains in 1913 in turn displaced this rural way of life, although remnants of pastoralism persisted beyond the urban fringe into the twenty-first century. Canberra's 'bush capital' was conceived as a city in and of the landscape, and it remains a place where town and country interpenetrate to a remarkable degree. As well as providing something of a haven for wildlife, Canberra and its surrounds have also nurtured numerous writers. In this essay, I will investigate the ways in which explorers and settlers construed the Limestone Plains as a locus of pastoral dwelling, before proceeding to consider how some more recent writers have responded to this place in literary form by attending to the more-than-human world that persists both within and beyond the city. (from The Littoral Zone)
'Marion Halligan describes her memoir, A Taste of Memory, as a set of stories of her life in food, travel and especially gardens, those 'nourishing spaces'; but it also commemorates her husband, Graham, and their thirty-five year marriage. Food and gardens often appear as related themes in Halligan's fiction, where gardens symbolise suburban domestic space and food may be used to express both desire and social connection. This essay explores how, in A Taste of Memory and the two novels immediately preceding it, The Fog Garden and The Point, food and gardens are linked to themes of bereavement and loss.' - Kunapipi (p. 183).
The Limestone Plains is the name given by British explorers in the 1820s to the area in the Southern Highlands of New South Wales, where the city of Canberra would later be built. Watered by the Molonglo, a tributary of the Murrumbidgee, and ringed by wooded hills, this area was a significant meeting place of several Aboriginal tribes, whose fire-stick farming practices had shaped its flora and fauna over the millennia. In the nineteenth century, the Canberra area provided a living for pastoralists and selectors, whose activities altered the local ecology and had a devastating impact on Indigenous people. The city that was founded on the Limestone Plains in 1913 in turn displaced this rural way of life, although remnants of pastoralism persisted beyond the urban fringe into the twenty-first century. Canberra's 'bush capital' was conceived as a city in and of the landscape, and it remains a place where town and country interpenetrate to a remarkable degree. As well as providing something of a haven for wildlife, Canberra and its surrounds have also nurtured numerous writers. In this essay, I will investigate the ways in which explorers and settlers construed the Limestone Plains as a locus of pastoral dwelling, before proceeding to consider how some more recent writers have responded to this place in literary form by attending to the more-than-human world that persists both within and beyond the city. (from The Littoral Zone)
