Text | Unit Name | Institution | Year |
---|---|---|---|
form y Sadness : A Monologue ( dir. Tony Ayres ) Lindfield : Film Australia , 1999 Z1000591 1999 single work film/TV (taught in 3 units) Based on photographer William Yang's one-man stage show, Sadness is a journey into the past and a heartbreaking testament to the significant traces people leave behind. Through the use of slides, oral history, and stylised recreations, Yang investigates the murder of his uncle Fang Yuen in the sugar cane fields of northern Queensland. Running alongside this narrative is a series of moving portraits of the many friends and lovers Yang has lost to AIDS. What emerges is a powerful requiem for the dead and a moving portrayal of the legacy that family and friends leave with the living. | Contemporary Cinema | Griffith University | 2009 (Semester 1) |
form y Sadness : A Monologue ( dir. Tony Ayres ) Lindfield : Film Australia , 1999 Z1000591 1999 single work film/TV (taught in 3 units) Based on photographer William Yang's one-man stage show, Sadness is a journey into the past and a heartbreaking testament to the significant traces people leave behind. Through the use of slides, oral history, and stylised recreations, Yang investigates the murder of his uncle Fang Yuen in the sugar cane fields of northern Queensland. Running alongside this narrative is a series of moving portraits of the many friends and lovers Yang has lost to AIDS. What emerges is a powerful requiem for the dead and a moving portrayal of the legacy that family and friends leave with the living. | Contemporary Cinema | Griffith University | 2010 (Semester 1) |
form y Sadness : A Monologue ( dir. Tony Ayres ) Lindfield : Film Australia , 1999 Z1000591 1999 single work film/TV (taught in 3 units) Based on photographer William Yang's one-man stage show, Sadness is a journey into the past and a heartbreaking testament to the significant traces people leave behind. Through the use of slides, oral history, and stylised recreations, Yang investigates the murder of his uncle Fang Yuen in the sugar cane fields of northern Queensland. Running alongside this narrative is a series of moving portraits of the many friends and lovers Yang has lost to AIDS. What emerges is a powerful requiem for the dead and a moving portrayal of the legacy that family and friends leave with the living. | Contemporary Cinema | Griffith University | 2012 (Semester 1) |