y separately published work icon The Feng Shui Detective Goes South single work   novel   detective   mystery   humour  
Issue Details: First known date: 2002... 2002 The Feng Shui Detective Goes South
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Publication Details of Only Known VersionEarliest 2 Known Versions of

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Works about this Work

Crime Scenes : The Importance of Place in Australian Crime Fiction Michael X. Savvas , 2010 single work criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 204-213) 'There are eight million stories about crime fiction. And this is one of them. There are two main ways in which writers use place in crime fiction. The first way is to use place to help create a certain mood and atmosphere. The second way is to use the geographical or physical features of a place imaginatively as a plot device. Sometimes the journeys that are made by characters in crime fiction serve to remind us as readers of these two major devices. Although historically a lot of Australian crime fiction has not focused on place in terms of setting, this is changing as Australia continues to change. (Author's introduction, 204)
Untitled Yvonne Fein , 2002 single work review
— Appears in: Crime Factory , August no. 7 2002;
— Review of The Feng Shui Detective Goes South Nury Vittachi , 2002 single work novel
Cryptic Sleuths Go South to Encompass East and West Robin Wallace-Crabbe , 2002 single work review
— Appears in: The Weekend Australian , 29-30 June 2002;
— Review of The Feng Shui Detective Goes South Nury Vittachi , 2002 single work novel
Cop Suey Peter Pierce , 2002 single work review
— Appears in: The Bulletin , 3 September vol. 120 no. 6340 2002;
— Review of The Feng Shui Detective Goes South Nury Vittachi , 2002 single work novel
A Phryne Time to Curl Up with Some Classy Cozies Sue Turnbull , 2002 single work review
— Appears in: The Sunday Age , 23 June 2002; (p. 8)
— Review of Murder in Montparnasse Kerry Greenwood , 2002 single work novel ; The Feng Shui Detective Goes South Nury Vittachi , 2002 single work novel
Cop Suey Peter Pierce , 2002 single work review
— Appears in: The Bulletin , 3 September vol. 120 no. 6340 2002;
— Review of The Feng Shui Detective Goes South Nury Vittachi , 2002 single work novel
Cryptic Sleuths Go South to Encompass East and West Robin Wallace-Crabbe , 2002 single work review
— Appears in: The Weekend Australian , 29-30 June 2002;
— Review of The Feng Shui Detective Goes South Nury Vittachi , 2002 single work novel
Untitled Yvonne Fein , 2002 single work review
— Appears in: Crime Factory , August no. 7 2002;
— Review of The Feng Shui Detective Goes South Nury Vittachi , 2002 single work novel
A Phryne Time to Curl Up with Some Classy Cozies Sue Turnbull , 2002 single work review
— Appears in: The Sunday Age , 23 June 2002; (p. 8)
— Review of Murder in Montparnasse Kerry Greenwood , 2002 single work novel ; The Feng Shui Detective Goes South Nury Vittachi , 2002 single work novel
Crime Scenes : The Importance of Place in Australian Crime Fiction Michael X. Savvas , 2010 single work criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 204-213) 'There are eight million stories about crime fiction. And this is one of them. There are two main ways in which writers use place in crime fiction. The first way is to use place to help create a certain mood and atmosphere. The second way is to use the geographical or physical features of a place imaginatively as a plot device. Sometimes the journeys that are made by characters in crime fiction serve to remind us as readers of these two major devices. Although historically a lot of Australian crime fiction has not focused on place in terms of setting, this is changing as Australia continues to change. (Author's introduction, 204)
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Last amended 1 Nov 2002 17:22:25
Subjects:
  • Sydney Opera House, Sydney Harbour, Sydney, New South Wales,
Settings:
  • c
    Singapore,
    c
    Southeast Asia, South and East Asia, Asia,
  • Sydney, New South Wales,
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