y separately published work icon Yesterday's Shadow single work   novel   crime   detective  
Is part of Scobie Malone Jon Cleary , 1954 series - author novel (number 18 in series)
Issue Details: First known date: 2001... 2001 Yesterday's Shadow
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Notes

  • Dedication: For Cate

Publication Details of Only Known VersionEarliest 2 Known Versions of

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  • Also braille, sound recording, large print.
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Works about this Work

Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today Rachel Franks , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii)
Untitled Jenny Tabakoff , 2002 single work review
— Appears in: The Sydney Morning Herald , 7-8 September 2002; (p. 4)
— Review of Yesterday's Shadow Jon Cleary , 2001 single work novel
Crime Icons David Honeybone , 2002 single work review
— Appears in: Australian Book Review , February no. 238 2002; (p. 46-47)
— Review of Inspector Anders and the Ship of Fools Marshall Browne , 2001 single work novel ; Death of the Author Andrew Masterson , 2001 single work novel ; Yesterday's Shadow Jon Cleary , 2001 single work novel
Double Trouble Peter Pierce , 2002 single work review
— Appears in: The Sydney Morning Herald , 19-20 January 2002; (p. 12)
— Review of Yesterday's Shadow Jon Cleary , 2001 single work novel
Local Authors Show Disturbing Signs of Life Graeme Blundell , 2002 single work review
— Appears in: The Weekend Australian , 19-20 January 2002; (p. 13)
— Review of Death of the Author Andrew Masterson , 2001 single work novel ; The Missing Masterpiece : A Comedy in a State Art Gallery Ian Callinan , 2001 single work novel ; Yesterday's Shadow Jon Cleary , 2001 single work novel
Novel No. 50, and Cleary Still Walks the Walk Stuart Coupe , 2001 single work review
— Appears in: The Sunday Age , 18 November 2001; (p. 11)
— Review of Yesterday's Shadow Jon Cleary , 2001 single work novel
Crime Jon Cleary , 2001 single work review
— Appears in: Canberra Sunday Times , 2 December 2001; (p. 53)
— Review of Yesterday's Shadow Jon Cleary , 2001 single work novel
Local Authors Show Disturbing Signs of Life Graeme Blundell , 2002 single work review
— Appears in: The Weekend Australian , 19-20 January 2002; (p. 13)
— Review of Death of the Author Andrew Masterson , 2001 single work novel ; The Missing Masterpiece : A Comedy in a State Art Gallery Ian Callinan , 2001 single work novel ; Yesterday's Shadow Jon Cleary , 2001 single work novel
Double Trouble Peter Pierce , 2002 single work review
— Appears in: The Sydney Morning Herald , 19-20 January 2002; (p. 12)
— Review of Yesterday's Shadow Jon Cleary , 2001 single work novel
Crime Icons David Honeybone , 2002 single work review
— Appears in: Australian Book Review , February no. 238 2002; (p. 46-47)
— Review of Inspector Anders and the Ship of Fools Marshall Browne , 2001 single work novel ; Death of the Author Andrew Masterson , 2001 single work novel ; Yesterday's Shadow Jon Cleary , 2001 single work novel
Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today Rachel Franks , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii)
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Last amended 21 Jul 2020 15:39:01
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