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In examining two of the most significant plays in white Australian and indigenous Australian theatre history, the author argues that 'The Doll's allegorising of the nation relies upon racialised amnesia nd nostalgia that revolves around the ideal of whiteness and the possession of an imaginary homeland', whereas in Davis's play 'sugar focuses a post-colonial strategy of translation' (58).
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 13 Apr 2007 15:59:02
58-67
Sugar, Land and Belonging : Summer of the Seventeenth Doll and No Sugar
Australasian Drama Studies
Australasian Drama Studies
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