The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
AbstractHistoryArchive Description
Examines the successful production of the play which 'reveals the mode of feminist politics ... acceptable for high-profile theatre companies' (44). Although the play 'provides a generally well-received alternative to the phallocentric formula of the singular male protagonist within the conventional linear narrative', the author argues that perhaps Evans 'does not go far enough in critiquing patriarchal constructions' (55).
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 11 Sep 2001 11:39:16
44-57
Post-feminist Physical Theatre : The Abject and the Split Subject in My Vicious Angel by Christine Evans
Australasian Drama Studies
Australasian Drama Studies
Subjects:
- My Vicious Angel (A One Act Play for Two Female Actors and Two MAusicians) 1998 single work drama
Export this record
