y separately published work icon The Complete Lyrics selected work   poetry   prose  
Issue Details: First known date: 2001... 2001 The Complete Lyrics
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Notes

  • Epigraph: And only I am escaped to tell thee' - Job.

Contents

* Contents derived from the London,
c
England,
c
c
United Kingdom (UK),
c
Western Europe, Europe,:Penguin , 2001 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Love is the Drug, Nick Cave , extract
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Publication Details of Only Known VersionEarliest 2 Known Versions of

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Works about this Work

The Total Depravity of Nick Cave’s Literary World Roland Boer , 2011 single work criticism
— Appears in: Literature and Theology , September vol. 25 no. 3 2011; (p. 312-328) 'The article argues that Nick Cave's literary (as opposed to his musical) world is characterised by the Calvinist doctrine of total depravity. In both outlining this world and seeking the moment of redemption, I simultaneously construct the framework of that world—in terms of the deranged house of incest, substance abuse, the spread of depravity to nature itself and the way the Bible is woven into that world—and fill in its content, with a specific focus on his novels. As that world gains some body, its dialectical relation to redemption begins to emerge, although with a problematic twist (Author's abstract).
It's Only Rock'n'Roll and They Write It Stephen Cummings , 2001 single work review
— Appears in: The Age , 21 July 2001; (p. 8)
— Review of The Complete Lyrics Nick Cave , 2001 selected work poetry prose
It's Only Rock'n'Roll and They Write It Stephen Cummings , 2001 single work review
— Appears in: The Age , 21 July 2001; (p. 8)
— Review of The Complete Lyrics Nick Cave , 2001 selected work poetry prose
The Total Depravity of Nick Cave’s Literary World Roland Boer , 2011 single work criticism
— Appears in: Literature and Theology , September vol. 25 no. 3 2011; (p. 312-328) 'The article argues that Nick Cave's literary (as opposed to his musical) world is characterised by the Calvinist doctrine of total depravity. In both outlining this world and seeking the moment of redemption, I simultaneously construct the framework of that world—in terms of the deranged house of incest, substance abuse, the spread of depravity to nature itself and the way the Bible is woven into that world—and fill in its content, with a specific focus on his novels. As that world gains some body, its dialectical relation to redemption begins to emerge, although with a problematic twist (Author's abstract).
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Last amended 3 Aug 2004 18:10:05
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