Issue Details: First known date: 1897... 1897 Dick Whittington and His Cat ; Or, Harlequin, the Demon Rat, and the Good Fairies of the Bells
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

Advertising indicates that Edmund Finn cribbed, adapted, localised and brought up-to-date this pantomime version of the popular children's tale, presented as a vehicle for Maggie Moore and her partner, H. R. Roberts. Interestingly the Age reviewer criticised Moore for her 'singular lack of spirit.' Her defects, it was suggested, were possibly brought about by the company "having worked night and day" to get the production ready. In this respect it was noted that the pantomime 'showed hasty preparation." The critic notes further that "some of the scenery worked badly, and there were faults in the 'business' which such performances rely upon for much of their interest' (28 December 1897, p.6). Nevertheless, the season apparently picked up, possibly through the efforts of H. R. Roberts, whom reportedly held the opening night show together. The season in fact went on to play a very respectable 7 weeks.

Presented in three acts the plot unfolded through the following scenes:

Act 1. Scene 1. The Belfry of Old Bow Bells;

Scene 2. Exterior of Fitzwarren's Shop;

Scene 3. Fitzwarren's Kitchen;

Scene 4. Highgate Hill, 'Flower Pot Ballet?' 'Sowing the Seed.' 'The Growth.' 'The Blossom.'

Act 2. Scene 1. Wapping Old Stairs;

Scene 2. Deck of the Lively Polly;

Scene 3. Storm at Sea. The Wreck. The Raft;

Scene 4. The Coast of Morocco;

Scene 5. The Imperial Palace of Morocco. "Grand Pageant";

Act 3. Scene 1. Guildhall;

Scene 2. An Ante Room in the Guildhall.

Transformation Scene - the Four Seasons;

Harlequinade (written and directed by Tom Queen).


The orchestral, vocal and incidental music was composed and selected by George Gardiner. Original musical numbers included: 'The Flower Pot Ballet,' 'The Merry Children' (a new coon dance), a Toreador dance (performed by Nellie Osgood), a La Diablo dance (James Watts), and a skipping rope dance (Ethel Clifford). Other musical numbers known to have been incorporated or written into the narrative were the songs: 'That's Interfering, Marm, Downstairs' and 'The Spinster That's Looking for a New Husband' (sung by H. R. Roberts), 'Just a Plain Australian Girl,' Sydney Turnbull's song 'Somewhere' (Maggie Moore), and 'Turn Again, Whittington, Thrice Mayor of London.'

[Source: Australian Variety Theatre Archive]

Production Details

  • 1897: Theatre Royal (Melb); 27 December 1897 - 11 February 1898

    • Director/Choreography Walter Raynham and H. R. Roberts; Producer Charles Holloway and William Anderson; Music Director George Gardiner; Scenic Art John Hennings and George Campbell; Costumes Mrs Robbins; Harlequinade Director Tom Queen.
    • Cast incl. Maggie Moore (Dick), H. R. Roberts (Sarah, the cook), Edwin Kelly (Alderman Fitzgerald), Laura Roberts (Alice), Max Maxwell (Idle Jack, an apprentice to Fitzwarren - hates Dick), Frank Williams (Sam, an apprentice to Fitzwarren), Walter Rivers (King Rat), Julie Spencer (Silvertone, Dick's guardian angel), Frank Gromann (Captain O'Kidd), M. Kingston (Tom Bowline), A. Reid (Ben Freeunion), Fred Wentworth (Emperor Getinthewayo), Daisy Coppin (Zeborda, the Emperor's only daughter), Harry Daniels (Rum Tum, the Emperor's Prime Minister), Tom Queen (Mumbo, the Emperor's own Christy Minstrel), Gus Gregory (Thomas, Dick's cat), Nellie Osgood (Truth), Lilly Bashford (Industry), Mr Baroni (Vice), Mr Tait (Idleness).
    • A second edition was staged from 22 January 1898.
    • 53 performances.

Publication Details of Only Known VersionEarliest 2 Known Versions of

First known date: 1897

Works about this Work

Theatre Royal : Dick Whittington 1897 single work review
— Appears in: The Age , 28 December 1897; (p. 6)

— Review of Dick Whittington and His Cat ; Or, Harlequin, the Demon Rat, and the Good Fairies of the Bells Edmund Finn , 1897 single work musical theatre
Theatres and Entertainments : Theatre Royal Pantomime 1897 single work review
— Appears in: The Argus , 28 December 1897; (p. 6)

— Review of Dick Whittington and His Cat ; Or, Harlequin, the Demon Rat, and the Good Fairies of the Bells Edmund Finn , 1897 single work musical theatre
Theatres and Entertainments : Theatre Royal Pantomime 1897 single work review
— Appears in: The Argus , 28 December 1897; (p. 6)

— Review of Dick Whittington and His Cat ; Or, Harlequin, the Demon Rat, and the Good Fairies of the Bells Edmund Finn , 1897 single work musical theatre
Theatre Royal : Dick Whittington 1897 single work review
— Appears in: The Age , 28 December 1897; (p. 6)

— Review of Dick Whittington and His Cat ; Or, Harlequin, the Demon Rat, and the Good Fairies of the Bells Edmund Finn , 1897 single work musical theatre

PeriodicalNewspaper Details

Note:
This entry has been sourced from research undertaken by Dr Clay Djubal into Australian-written popular music theatre (ca. 1850-1930). See also the Australian Variety Theatre Archive
Last amended 4 Apr 2014 11:19:24
Settings:
  • c
    Morocco,
    c
    North Africa, Africa,
  • London,
    c
    England,
    c
    c
    United Kingdom (UK),
    c
    Western Europe, Europe,
Newspapers:
    Powered by Trove
    X